やってるな。初めてスタジオに入 0197ベストヒット名無しさん2019/12/31(火) 18:16:37.59ID:8Qj8i230>>1 マジレスすると Queenって具体的にはチンコが凄い 0198ベストヒット名無しさん2019/12/31(火) 19:30:48.07ID:Jcvgu1xx>>197 それはフレディだけだろ 0199ベストヒット名無しさん2020/01/01(水) 16:27:49.41ID:/ojjaQUS チンコ見たことあんのかよ 0200ベストヒット名無しさん2020/01/01(水) 16:27:49.61ID:/ojjaQUS チンコ見たことあんのかよ 0201ベストヒット名無しさん2020/01/01(水) 18:41:56.16ID:gmwvM5za>>200 #フレディ股間気になる選手権 0202ベストヒット名無しさん2020/01/19(日) 20:29:01.42ID:xnbXSzKs なんであれだけベスト盤のレベルが高いのに、 オリジナルアルバムはごった煮で統一感がないんだろうね ごった煮じゃないのIIとMade In Heavenくらいだろ 0203ベストヒット名無しさん2020/01/20(月) 13:19:18.59ID:e6jQ4Yiy When those car doors slam...
Most people who listen to music inevitably make comparisons. How does a given release hold up alongside an artist's other work? How well does it measure up to the work of contemporaries? How well does it age? As is true of most Art, time is the decider, and perhaps the greatest tribute any work can receive comes when it is no longer measured against others, but becomes that which others are measured against. Such has become the case with Jackson Browne's 1974 masterwork, "Late for the Sky." Almost from the moment of its release, it has been an acknowledged classic of its era and of its genre (the singer-songwriter period). Within these songs live some of the most beautiful expressions of Love and the most heartbreaking and eloquent contemplations of Love-lost that have ever been written. Throughout his career, Jackson's explorations of relationships have resonated so well with listeners because, as he has understood from the beginning, music is a gift, and once given it has as much--or more--to do with the listeners' lives as it does the artist's. He wouldn't have it any other way.
Listened to from beginning to end, LFTS leads listeners on a journey. Love is the overriding theme of this release, and the one to which Jackson returns again and again. The title song opens the record just as a relationship is dying ("Such an empty surprise to feel so alone.") But also explored are a young person's attempts to find a place in the world to belong ("Now the distance leads me farther on/Though the reasons I once had are gone/I keep thinking I'll find what I'm looking for/In the sand beneath the dawn"), attempting to come to terms with the death of a friend ("I don't know what happens when people die/I can't seem to grasp it as hard as I try/It's like a song I can hear playing right in my ear that I can't sing/But I can't help listening"). The final song is an ominous, apocalyptic "Before the Deluge," which sounds as if it could have, or perhaps should have been written only yesterday. And as beautiful and timeless and relevant as all of these songs are, it is when he is writing and singing of Love that Jackson always has and will shine brightest. "Fountain of Sorrow" celebrates a woman's outer and inner beauty, which continues to hold a place deep in the grateful heart of a former lover. There's even a relatively light-hearted rocker (Walking Slow) in which he sings of love's conundrums ("Sometimes we forget we love each other and we fight for no reason.") But the song that defines this record and for me, Jackson Browne's career, is The Late Show, in which he sings to the woman he had come to think might only ever exist in his dreams ("I saw you through the laughter and the noise/You were talking with a soldier and the boys/While they scuffled for your weary smiles I thought of all the empty miles/And the years that I'd spent looking for your eyes...") The song ends with him waiting in his car outside her house (see album cover). Will she come? We wait, and wait...and wait, and then we hear a car door slam...and then another! And as beautiful soaring strings play over the sound of the car driving off into the distance, we believe once more in the endless power of love. 0204ベストヒット名無しさん2020/01/21(火) 04:45:45.59ID:V82hXs+M フレディマーキュリーって生歌はごまかしアレンジしまくりのゴミクソド下手ボーカルだよな。 加工しまくりのCD音源とライブで差がありすぎ・・・。
2代目アダムの方が比べ物にならないほど上手いw 0205ベストヒット名無しさん2020/01/22(水) 12:53:30.89ID:ZDwPYBpw When those car doors slam...
Most people who listen to music inevitably make comparisons. How does a given release hold up alongside an artist's other work? How well does it measure up to the work of contemporaries? How well does it age? As is true of most Art, time is the decider, and perhaps the greatest tribute any work can receive comes when it is no longer measured against others, but becomes that which others are measured against. Such has become the case with Jackson Browne's 1974 masterwork, "Late for the Sky." Almost from the moment of its release, it has been an acknowledged classic of its era and of its genre (the singer-songwriter period). Within these songs live some of the most beautiful expressions of Love and the most heartbreaking and eloquent contemplations of Love-lost that have ever been written. Throughout his career, Jackson's explorations of relationships have resonated so well with listeners because, as he has understood from the beginning, music is a gift, and once given it has as much--or more--to do with the listeners' lives as it does the artist's. He wouldn't have it any other way.
Listened to from beginning to end, LFTS leads listeners on a journey. Love is the overriding theme of this release, and the one to which Jackson returns again and again. The title song opens the record just as a relationship is dying ("Such an empty surprise to feel so alone.") But also explored are a young person's attempts to find a place in the world to belong ("Now the distance leads me farther on/Though the reasons I once had are gone/I keep thinking I'll find what I'm looking for/In the sand beneath the dawn"), attempting to come to terms with the death of a friend ("I don't know what happens when people die/I can't seem to grasp it as hard as I try/It's like a song I can hear playing right in my ear that I can't sing/But I can't help listening"). The final song is an ominous, apocalyptic "Before the Deluge," which sounds as if it could have, or perhaps should have been written only yesterday. And as beautiful and timeless and relevant as all of these songs are, it is when he is writing and singing of Love that Jackson always has and will shine brightest. "Fountain of Sorrow" celebrates a woman's outer and inner beauty, which continues to hold a place deep in the grateful heart of a former lover. There's even a relatively light-hearted rocker (Walking Slow) in which he sings of love's conundrums ("Sometimes we forget we love each other and we fight for no reason.") But the song that defines this record and for me, Jackson Browne's career, is The Late Show, in which he sings to the woman he had come to think might only ever exist in his dreams ("I saw you through the laughter and the noise/You were talking with a soldier and the boys/While they scuffled for your weary smiles I thought of all the empty miles/And the years that I'd spent looking for your eyes...") The song ends with him waiting in his car outside her house (see album cover). Will she come? We wait, and wait...and wait, and then we hear a car door slam...and then another! And as beautiful soaring strings play over the sound of the car driving off into the distance, we believe once more in the endless power of love. 0206ベストヒット名無しさん2020/05/12(火) 12:38:04.98ID:SL6j8h0/>>38 遅レスだけど、i was born to love youをあげるあたり全然聴いてないのはわかる。 0207ベストヒット名無しさん2020/05/12(火) 13:09:08.95ID:MpkcBoSd 国内2輪市場は低迷を続けています。そんななか2018年に誕生60周年を迎えた、ホンダ「スーパーカブ」シリーズ。 豊富なエンジンサイズと様々なボディタイプをラインナップし、幅広い層のユーザーから親しまれているロングセラーモデルです。 そのなかでも高額なモデルが非常に人気となっています。なぜ市場が低迷するなか、高額な「スーパーカブ」が販売好調なのでしょうか。 2019年4月現在では、50cc/110cc/125ccの3タイプのエンジンと、スタンダードからビジネスユース、レジャー向けなどのボディを用いることで計9モデル(特別仕様車を含めると11種)までラインアップを拡充しています。 それらの中でも異彩を放つモデルとして挙げられる「スーパーカブC125」は、2018年6月末に登場した車両で、初代モデル「スーパーカブC100」のデザインを踏襲しつつ、省エネルギー性に優れたLED灯火器や、 より便利にエンジン始動できる「Honda SMART Key システム」などを採用することで、スマートな使い勝手と上質さが追求されました。 「スーパーカブC125」は、ヤマハやスズキ、カワサキなど国内メーカーの125ccクラスモデルと比較しても高額な39万9600円という車両価格(消費税込)ながら、発売から約半年で年間販売計画台数3000台を上回るセールスを記録しています。 なぜ売れる? 高額なホンダ「スーパーカブ」が大人気! 国内2輪市場に光明 販売好調の理由とは? ホンダ「スーパーカブ」シリーズについて説明するホンダの加藤千明社長曰く、原付き一種よりも高額な原付二種クラスの販売が好調な理由とは? 近年、日本国内市場では原付二種免許で乗ることができる125cc以下のバイクの販売が右肩上がりに推移しています。実際に2018年の国内新車出荷の統計データを見ると、総出荷台数33万5572台のうち、原付二種は約10.5万台と 1/3近くの割合を占めています。 この結果について、ホンダモーターサイクルジャパンの加藤千明社長は、「2018年の国内二輪の需要は原付二種クラスが大幅に増加し、軽二輪クラスは若年層のお客様を中心に堅調な数字となったものの、 最大ボリュームゾーンである原付一種が減少したことにより、全体の国内二輪総需要は前年比96%という結果になりました。 その中でホンダは新製品14モデルを導入することで、コミューター領域では原付二種が原付一種を、ファンモデルでは軽二輪が普通・大型バイクの販売減少をカバーすることができました。 この要因としては、スーパーカブ50、並びに110に加え、クロスカブ、スーパーカブC125また、一昨年生産を終了したモンキーの後継機種として投入したモンキー125が好調な売り上げを記録していることが挙げられます。 原付二種クラスの市場は、機動力や積載性、省スペース製などのほか、原付一種と比べ道路交通法での各種規制が少ないことなどもあり、大幅に伸張をしております。さらに、AT小型限定普通二輪免許の取得容易化の追い風により、 今後も需要が堅調に推移していくと考えられます。その需要が大型ファンモデルへ移行し、活性化につながるよう、ホンダの強みであるグローバルリソースを最大限に活用し、さらにラインナップの充実を図って参りたいと考えております」といいます。 また、ホンダ広報部の村瀬弘晃主任は、現在の販売台数の推移について以下のように説明します。 「スーパーカブC125は約半年で年間販売計画台数3000台を達成したあとも順調な推移を見せており、現在では約3500台まで到達しています。C125以外にも、スーパーカブC110が約1万2000台(ビジネスモデルPROを含む)、 クロスカブ110は1万台と、スーパーカブ・シリーズはいずれも堅調な販売台数を記録しています。 正確な年齢層は集計できておりませんが、クロスカブ110は50ccモデルよりも大幅に台数が販売されていますので、免許などの都合を考えれば年齢層は高めであることが推測されます」 タイやインドネシアなどのアジア諸国では、125ccクラスのコミューターは一般的なものとして広まっていますが、日本国内の販売台数を見る限り、今後の国内市場でもこうしたクラスのバイクがさらにシェアを拡大していくことが予想されるでしょう。 これから隆起する市場に対し、国内メーカー各社がどのような新型車を打ち上してくるのか、期待が高まります。 0208ベストヒット名無しさん2020/08/26(水) 09:03:22.18ID:U8U7+NHI フレディより、才能的に数十段劣るのに、ヲカマと言うだけでボーカリストにしてツアーやると そこそこ人を呼べてしまうところ。ジョンが、徹底的に引退しているところ。 0209ベストヒット名無しさん2020/08/28(金) 08:59:10.42ID:2epPZeOf>>197