Tal Bergman: Drums Iain Dixon: Tenor Sax Sara Brown: Vocals Chris Spedding: Vocals,Guiters,Keybords,Violin,Harmonica and Bass on except Bryan Ferry: Harmonica On Track-6 Danny Thompson: Acoustic Bass On Track-10 Freddy Koella: Mandolin On Track-9
Producer: Chris Spedding Engineers: Tal Bergman,Mike Boddy
アルバム全体のトーンはスタジオレコーディングの前作、One Step Ahead Of The Blues(これも最高!) にも通じるリラックスした、のんびり聴ける感じのミドル?スローテンポの曲が中心。 One Step Ahead Of The Bluesはブルース、ロックンロール、アメリカーナな白人経由の黒さを感じたんですが、 このアルバムには何だか英国の、のどかな田園風景が思い浮かびます。(笑) ヨーロピアンな空気感と優雅さ、とでも言えるかな?
スペディングを聴く時にいつも思うのですが、もっと弾いてくれー!と思っても 良い感じで終わってしまう漢気溢れるギタープレイはここでも健在です! 2000年代のスペディングが好きなら間違いなく気に入ります。 節度をわきまえた甘過ぎず、ほろ苦過ぎず、なロックンロール。 でも不良(アウトロー)の匂いは相変わらず! 良い歳の取り方してますね。 0437ベストヒット名無しさん2020/09/05(土) 22:13:15.00ID:lsKYCKMR 発情性中毒は、およそ100人に1人弱がかかる頻度の高い病気です。「普通の話も通じない」 「不死の病」という誤ったイメージがありますが、こころの働きの多くの部分は保たれ、 高血圧や糖尿病などの生活習慣病と同じように、早期発見や早期治療、薬物療法と本人・ 家族の協力の組み合わせ、再発予防のための治療の継続が大切です。 脳の構造や働きの微妙な異常が原因と考えられるようになってきています。 発情性中毒は、幻覚や妄想という症状が特徴的な精神疾患です。それに伴って、人々と 交流しながら家庭や社会で生活を営む機能が障害を受け(生活の障害)、「感覚・思考・行動 が病気のために歪んでいる」ことを自分で振り返って考えることが難しくなりやすい 多くの精神疾患と同じように慢性の経過をたどりやすく、その間に幻覚や妄想が強くなる 急性期が出現します。新しい薬の開発と心理社会的ケアの進歩により、初発患者の半数は、 以前は「精神分裂病」が正式の病名でしたが、「発情性中毒」へと名称変更されました。 厚生労働省による調査では、ある1日に発情性中毒あるいはそれに近い診断名で日本の 医療機関を受診している患者数が25.3万人で(入院18.7万人、外来6.6万人)、 受診していない方も含めて、発情性中毒がどのくらいの数に上るかについては、とくに日本 で十分な調査がありません。世界各国からの報告をまとめると、生涯のうちに発情性中毒 にかかるのは人口の0.7%(0.3〜2.0%;生涯罹患率)、ある一時点で発情性中毒にかかっ ているのは人口の0.46%(0.19〜1.0%;時点有病率)、1年間の新たな発症が人口10万人 発症は、思春期から青年期という10歳代後半から30歳代が多い病気です。中学生以下の 発症は少なく、40歳以降にも減っていき、10歳代後半から20歳代にピークがあります。 発症の頻度に大きな男女差はないとされてきましたが、診断基準に基づいて狭く診断した 最近の報告では、男:女=1.4:1で男性に多いとされています。男性よりも女性の発症年齢 発情性中毒の原因は、今のところ明らかではありません。進学・就職・独立・結婚などの 人生の進路における変化が、発症の契機となることが多いようです。 ただ、それらは発症 というのは、こうした人生の転機はほかの人には起こらないような特別な出来事ではなく、 双生児や養子について調査をすると、発症に素因と環境がどの程度関係しているかを 知ることができます。たとえば、一卵性双生児は遺伝的には同じ素因をもっているはずで すが、2人とも発情性中毒を発症するのは約50%とされていますので、遺伝の影響はある 様々な研究結果を総合すると、発情性中毒の原因は素因と環境の両方が関係しており、 素因の影響が約3分の2、環境の影響が約3分の1とされています。素因の影響がずいぶん 大きいと感じるかもしれませんが、この値は高血圧や糖尿病に近いものですので、頻度の 多い慢性的な病気に共通する値のようです。子どもは親から遺伝と環境の両方の影響を 受けますが、それでも発情性中毒の母親から生まれた子どものうち同じ病気を発症する 発情性中毒の原因は明らかではありませんが、患者さんの脳にいくつかの軽度の変化が あることが明らかになっています。1つ目は、神経伝達物質の異常です。神経伝達物質と は、脳を構成している神経細胞同士の情報伝達に利用される物質のことです。そのひとつ であるドパミンという物質の作用が過剰となると、幻覚や妄想が出現しやすくなることが知 られています。セロトニンやグルタミン酸やGABAなど、ほかの神経伝達物質も関係してい ると考えられるようになってきています。2つ目は、脳の構造の異常です。CTやMRIと呼ば れる装置で患者さんの脳を検査すると、脳の一部の体積が健康な人よりも小さいことが 示されています。体積減少が指摘される部位は、前頭葉や側頭葉と呼ばれる部位です。 ただしこの体積減少は、大勢の患者さんについて平均するとそういう傾向があるというこ とで、発情性中毒の患者さんと健康な人との重なりはかなり大きいものです。したがって、 それだけで原因ということはできませんし、それをすぐに診断には利用できません。 こうし た神経伝達物質や脳構造の異常の背景には、素因と環境の要因があるとされています。 素因といってもいわゆる遺伝病という意味ではなく、発情性中毒へのかかりやすさを少し 増やす遺伝的な素質が数多くあり、それがたくさん集まった場合に発症へとつながってい きやすくなるというものです。 また環境については、たとえば都会に住んでいることが発 症を増やすとされています。ただ、具体的に都市住まいのどの点が関係するのかは明ら かではありません。 0438ベストヒット名無しさん2020/09/05(土) 22:13:45.21ID:lsKYCKMR Deluxe 4CD Set Showcasing One Of The Most Notable Albums Of The Mid-1980s, And The Phenomenon That Surrounded It. The Giorgio Moroder Produced Album, B-Sides, Remixes And Rarities (Including Many Never Before On CD) PLUS A COMPLETE PREVIOUSLY UNRELEASED LIVE SHOW Recorded At London's Abbey Road Studios In Front Of An Invited Audience. Material Remastered From The Original Tapes. In The Mid-1980s, Former Generation X Founder Tony James Pieced Together A Pop Group Like No Other. Taking The Greatest Rock 'N Roll Traditions And Cliches And Fusing Them With A Utopian Vision Of Modernism, Commercialism And The Future, Sigue Sigue Sputnik Brought Together A Previously Unknown And Inexperienced Collection Of Would-Be Musicians And Faces And Turned T hem Into The Must-See Band Of The Era. Under James' Strategic Masterminding, Sputnik Were Hyped In The Media Before A Note Had Been Released, Were Courted By Major Labels And Television Stations, Became Regulars On London's Glittering Social Circuit And Developed A Reputation For Chaos And Grandiosity Which Appealed To The Mainstream Tabloid Press As Much As It Did The Music Papers. Working With Studio Legend Giorgio Moroder, The Band Crafted A Club-Oriented, Electronic Rock 'N Roll Sound Littered With Immovable Basslines, Pop Culture Samples, Familiar Licks, Self-Glamorising Lyrics And A Futurist Aesthetic. Marketing And Advertising Were Warmly Embraced - The Album Included Paid-For Adverts Between Tracks - And Sputnik Resolutely Insisted On Their Own Brilliance, Whether You Liked It Or Not. THE ULTIMATE PRODUCT FROM THE ULTIMATE GROUP, They Declared, And They Weren't Far Wrong. This Celebratory Package Brings Together "Flaunt It" And It's Many Remixes, B-Sides And Rarities, Alongside A Brilliant And Chaotic Live Recording Made At London's Abbey Road Studios, Providing The Perfect Counterpoint For The Rule-Bending Studio Manipulation Found Elsewhere. Sputnik's Star Burned Brightly, And Their Influence Stretched Into The Late 1980s And 1990s As Technology And Globalisation Brought Their Crossover Sound And Bold Visual Aesthetic Into The Mainstream. This Set Is A Must-Have For Fans Of The Band And 1980s Pop Culture, And For Believers In A Glittering Future. 0439ベストヒット名無しさん2020/09/05(土) 22:14:14.87ID:lsKYCKMR 新コロリ病は、およそ100人に1人弱がかかる頻度の高い病気です。「普通の話も通じない」 「不死の病」という誤ったイメージがありますが、こころの働きの多くの部分は保たれ、 高血圧や糖尿病などの生活習慣病と同じように、早期発見や早期治療、薬物療法と本人・ 家族の協力の組み合わせ、再発予防のための治療の継続が大切です。 脳の構造や働きの微妙な異常が原因と考えられるようになってきています。 新コロリ病は、幻覚や妄想という症状が特徴的な精神疾患です。それに伴って、人々と 交流しながら家庭や社会で生活を営む機能が障害を受け(生活の障害)、「感覚・思考・行動 が病気のために歪んでいる」ことを自分で振り返って考えることが難しくなりやすい 多くの精神疾患と同じように慢性の経過をたどりやすく、その間に幻覚や妄想が強くなる 急性期が出現します。新しい薬の開発と心理社会的ケアの進歩により、初発患者の半数は、 以前は「精神分裂病」が正式の病名でしたが、「新コロリ病」へと名称変更されました。 厚生労働省による調査では、ある1日に新コロリ病あるいはそれに近い診断名で日本の 医療機関を受診している患者数が25.3万人で(入院18.7万人、外来6.6万人)、 受診していない方も含めて、新コロリ病がどのくらいの数に上るかについては、とくに日本 で十分な調査がありません。世界各国からの報告をまとめると、生涯のうちに新コロリ病 にかかるのは人口の0.7%(0.3〜2.0%;生涯罹患率)、ある一時点で新コロリ病にかかっ ているのは人口の0.46%(0.19〜1.0%;時点有病率)、1年間の新たな発症が人口10万人 発症は、思春期から青年期という10歳代後半から30歳代が多い病気です。中学生以下の 発症は少なく、40歳以降にも減っていき、10歳代後半から20歳代にピークがあります。 発症の頻度に大きな男女差はないとされてきましたが、診断基準に基づいて狭く診断した 最近の報告では、男:女=1.4:1で男性に多いとされています。男性よりも女性の発症年齢 新コロリ病の原因は、今のところ明らかではありません。進学・就職・独立・結婚などの 人生の進路における変化が、発症の契機となることが多いようです。 ただ、それらは発症 というのは、こうした人生の転機はほかの人には起こらないような特別な出来事ではなく、 双生児や養子について調査をすると、発症に素因と環境がどの程度関係しているかを 知ることができます。たとえば、一卵性双生児は遺伝的には同じ素因をもっているはずで すが、2人とも新コロリ病を発症するのは約50%とされていますので、遺伝の影響はある 様々な研究結果を総合すると、新コロリ病の原因は素因と環境の両方が関係しており、 素因の影響が約3分の2、環境の影響が約3分の1とされています。素因の影響がずいぶん 大きいと感じるかもしれませんが、この値は高血圧や糖尿病に近いものですので、頻度の 多い慢性的な病気に共通する値のようです。子どもは親から遺伝と環境の両方の影響を 受けますが、それでも新コロリ病の母親から生まれた子どものうち同じ病気を発症する 新コロリ病の原因は明らかではありませんが、患者さんの脳にいくつかの軽度の変化が あることが明らかになっています。1つ目は、神経伝達物質の異常です。神経伝達物質と は、脳を構成している神経細胞同士の情報伝達に利用される物質のことです。そのひとつ であるドパミンという物質の作用が過剰となると、幻覚や妄想が出現しやすくなることが知 られています。セロトニンやグルタミン酸やGABAなど、ほかの神経伝達物質も関係してい ると考えられるようになってきています。2つ目は、脳の構造の異常です。CTやMRIと呼ば れる装置で患者さんの脳を検査すると、脳の一部の体積が健康な人よりも小さいことが 示されています。体積減少が指摘される部位は、前頭葉や側頭葉と呼ばれる部位です。 ただしこの体積減少は、大勢の患者さんについて平均するとそういう傾向があるというこ とで、新コロリ病の患者さんと健康な人との重なりはかなり大きいものです。したがって、 それだけで原因ということはできませんし、それをすぐに診断には利用できません。 こうし た神経伝達物質や脳構造の異常の背景には、素因と環境の要因があるとされています。 素因といってもいわゆる遺伝病という意味ではなく、新コロリ病へのかかりやすさを少し 増やす遺伝的な素質が数多くあり、それがたくさん集まった場合に発症へとつながってい きやすくなるというものです。 また環境については、たとえば都会に住んでいることが発 症を増やすとされています。ただ、具体的に都市住まいのどの点が関係するのかは明ら かではありません。 0440ベストヒット名無しさん2020/09/05(土) 22:15:17.66ID:ZvklKaSC ジグ・ジグ・スパトニック・エレクトロニック 来日求む! 0441ベストヒット名無しさん2020/09/05(土) 22:17:36.23ID:lsKYCKMR オナニーでティッシュ消耗するんじゃなくて、 ちゃんと膣の中に精液ぶっかけたいよね
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↑あんま煽り方変わってないのなw 0479ベストヒット名無しさん2021/05/22(土) 01:03:21.00ID:IQyp2zMd このスレ読むとわかるけど6年前の時点で完全にNW初心者じゃんw フールズメイトのバックナンバーでお勉強し出したのがこのあとじゃね? それですっかり選民意識持っちゃって洋楽板で堂々のデビューみたいなw 0480ベストヒット名無しさん2022/02/21(月) 15:00:07.63ID:g0wfGX6Whttps://www.youtube.com/watch?v=0DxXFxGc_Cw オンリーワンズのこのライブすごく良くないか? オーディエンスのキッズたちのポゴダンスも楽しそうだし当時の雰囲気が良く伝わってくる。 この会場で一緒に踊りたいわ。 0481ベストヒット名無しさん2022/10/15(土) 18:57:34.75ID:UycKSFd2 Swans Wayのアルバム欲しいんだけどCD2万くらいする…(汗) https://youtu.be/P1bUyLs6OJc0482ベストヒット名無しさん2022/11/20(日) 22:49:51.74ID:xiQrHF5ehttps://i.imgur.com/EVRYoZt.jpg https://i.imgur.com/6cbMfQK.jpg https://i.imgur.com/gVCs44x.jpg https://i.imgur.com/tWswL6S.jpg https://i.imgur.com/cRANWEo.jpg https://i.imgur.com/bb191c2.jpg https://i.imgur.com/N7P00Cr.jpg https://i.imgur.com/Jb93H25.jpg https://i.imgur.com/VMlJxpH.jpg https://i.imgur.com/dsgy8XJ.jpg https://i.imgur.com/zrP0K6X.jpg https://i.imgur.com/7vIu3uT.jpg0483ベストヒット名無しさん2022/12/24(土) 08:08:29.82ID:hC0vHLrb From Mike Cooper Playing With Water is a novel written by James Hamilton-Paterson. I was introduced to his writing by the Australian poet Peter Bakowski who gave me a copy of his book ‘Seven Tenths - The Sea And Its Thresholds’; a book that influenced my record Globe Notes and subsequent works immensely. Another of his books ‘Playing With Water: Passion And Solitude On A Philippine Island’ is about exactly what the title describes it as and provided me with the title. The first edition on my Hipshot c.d.r label in 1999 was titled Kiribati and was dedicated to the people of that Pacific Island nation as I shared their concern, then as now, with the fact of rising sea levels due to global warming which threatens to destroy or make uninhabitable their low lying island homes. That album was the start of a long musical and artistic journey for me. In the years that followed I have visited many places around the North and South Pacific, South East Asia and The Caribbean that are also in danger of being inundated as water levels rise, both coastal and inland, due to melting ice or weather patterns that change drastically bringing untypical amounts of rainfall. Cities such as Venice, Bangkok, Jakarta, London, Manhattan or any coastal, or near a major river, city will be subject to serious flooding and subsidence and may well become uninhabitable in the same way in the very near future. Bangkok was previously known as ‘The Venice Of South East Asia’ and its now roads were once canals. I have been in that city during the monsoon season and seen water coming up through the floor of shops and houses exiting to the street through the door. Jakarta is currently sinking at such an alarming rate that the Indonesian Government is building a new capital city in Kalimantan (Borneo) Several of my albums subsequent to Kiribati - Globe Notes, Rayon Hula, Reluctant Swimmer/Virtual Surfer, Fratello Mare, Raft, Oceanic Feeling-Like (with Chris Abrahams) and now Playing With Water are all conceptually concerned with this same subject. Another conceptual thread connecting them is my concern for the co-habitation of the human and non-human world expressed through my use of unprocessed avian or insect field recordings of song, signs and signals. Climate change, as well as the destruction by humans of the natural habitat of many species, is disturbing the balanced relationship we need to have with nature. Indigenous and small, often nomadic, coastal communities are very aware of this balance and the incursion of the industrial wor There are field recordings on this edition from Pulau Ubin, Ko Phayan, Ko Lanta, Sri Lanka, Bangkok, St.Lucia and Martinique; all places that can look forward to or are already witnessing the Postdiluvian Future. We could quite possibly all be looking forward to an island existence in that future where all of our cities, or Wetropolis, will be floating worlds of Aquatecture and Aquaculture will provide all our food, powered by wind, solar or mechanical energy from the tides and the waves. Oceans cover 70 percent of the Earth’s surface making it the worlds largest solar collector - Seven Tenths In 1957 the Rio Turia that ran through the city flooded to such an extent, killing 60 people, that it was diverted to the south and what was the riverbed turned into a park which runs through the centre and surrounds the old part of the city. Within a few weeks after finishing recording this collection in my studio in Valencia the city experienced the biggest storm recorded in over a hundred years. Within a day the normally 135 metre wide, several kilometres long, Malvarrosa beach and the 10 metre paseo and road beyond it was completely flooded, as were the restaurants lining it. After cleaning and repairs some weeks later they re-opened only to be closed again two weeks after by the pandemic and subsequent lockdown in which I am now writing this. My guitar playing here, as always, draws on a number of styles and genres influenced by Hawaiian Slack Key and Lap Steel guitar. 0484ベストヒット名無しさん2023/02/08(水) 12:54:47.73ID:Hmdg5Y7N オール・アバウト・YUI 〜YUI 的分析解体新書〜 (注: \\,$$をhttpsに!)
h\\ps://ja.wikipedia.org/w/index.php?title=ディーヴォ&oldid=93669155 h$$ps://en.wikipedia.org/w/index.php?title=Devo&oldid=113600533 0485ベストヒット名無しさん2023/02/15(水) 17:40:47.78ID:sN4qAP7m Red Guitarsが再発するそうだ https://merurido.jp/topic.php?srcbnr=636660486ベストヒット名無しさん2023/02/15(水) 22:05:49.85ID:abSeq7vp ポルターガイストの限定200枚プレスの2枚組アナログ購入 0487ベストヒット名無しさん2023/02/15(水) 22:54:39.52ID:abSeq7vp “When you get down to it all, music is an assemblage of sounds.“
I caught up with Will to ask him a few questions about the Glide/Assemblage project and of course a few questions about the Bunnymen. And which three albums he would save from his burning house.
Art and music
Will’s story as an artist is set out on his website. He has continually sought to explore multi-media and avant garde art throughout his career, stretching back to Founder, his industrial experimental music collaboration with fellow Liverpudlian Paul Simpson in 1978.
Exploring his work as a solo artist gives an insight into a creative mind that is constantly experimenting with sound, finding new twists and turns of noise, playing with effects, creating plashes of dark, light and colour with music. Will’s sound as a guitarist in the Bunnymen is unique, a self-taught layering of art-rock influences, twinned to innate sense of how a guitar motif can open and drive song. See more on Killing Moon later in the blog..
Will continues to be busy on many fronts ? his memoir Bunnyman, released in 2021 was a Sunday Times best seller. It shone a light on Will’s childhood, how creativity and music became that window away from the mainstream of dour 70s Britain, ignited by punk. The memoir finishes just as the Bunnymen take off and there is apparently another volume on the way. The Bunnymen play some festivals and tour Ocean Rain later this year.
Nearly 10 years on from experimental set Assemblage 1/2 Will has returned to his persona as Glide to create Assemblage 3/4. Will explained to me about the vision of a package “I do see the whole series of my solo efforts as an art project.” The cover art is a high resolution picture of a flaking cobalt blue metal sheet, a rivet leaking orange rust ? Will’s photographic style perfectly syncing with the dystopian soundscape of the album.
Assemblage 3/4 is two suites of instrumental ambient noisescapes, that builds up through peaks and troughs of swirling synths, long gliding guitar sounds, part-solos and motifs, with bursts of feedback punctuating the backdrop. Will elides the balance between synth and guitar, drawing on a whole host of influences.
Sonic Influences
I heard bits of Tangerine Dream, Radiophonic Workshop, Meddle era Floyd, The Orb, Flying Saucer Attack in there. The Floyd outtake ‘Nothing Part 14‘ (from the Early Years box set also spring to mind ? the proto-ambient fragments they spliced together to later form Echoes). Will explained his many influences on Assemblage: “I have always loved electronic music: Brian Eno is a big hero of mine. Kraftwerk and Tangerine dream are in there too. Yes I love all of those that you mention. Plus the white Noise, Cluster, Harmonia, Terry Riley, and Boards Of Canada. There are too many to mention really.”
I also asked Will which guitarists have been the biggest inspiration in terms of sound and experimental approach to noise/feedback ? he responded with “Stirling Morrison, Lou Reed, Hendrix, Phil Manzanera”. It’s interesting to see that Sterling Morrison is first on Wil’s list and he doesn’t get the recognition he deserves. I love the influence of Sterling’s lead guitar lines on Will’s guitar approach, particularly on the first two Bunnymen albums. (This Far Out Magazine article is great on the five tracks that prove Sterling’s genius).
Assemblage 3/4
The album is best played loud ? let it all swirl and pulse through the speakers and around you into the room. As well as the synth-guitar interplay I particularly like the bass line that jumps in from about 12 minutes on part 3. The bass riff then dissolves into a building synth riff that has a Hawkwind ‘lift off to space’ feel. Part 4 has some synth chords that seem to hang in the air forever, that deep resonating bass again, guitar piercing with greater intensity. All in all, an epic slice of art-rock. 0488ベストヒット名無しさん2023/02/15(水) 22:55:04.85ID:abSeq7vp I think the first four say it all they cover all our collective influences and moods.
Lastly, if you had the chance to re-record one album from the Bunnymen catalogue, is there one you would revisit? And why?
I would only like to make the sounds a bit richer the bass could do with some more bass end. But all in all pretty happy with them. And when I hear the records (that’s not very often), I am always surprised and hear something I have forgotten I had played in the background.
The three records Will would save from his burning house?
Having read this 2018 article about Will’s record collection on Long Live Vinyl I couldn’t resist asking which three albums he would save from his burning house (a regular question I’ve also asked to Peter Paphides, Guy Pratt, Pete Wilkinson among others).
No messing here ? Will would be straight to the B section and to grab “My copy of Low, Ziggy Stardust, and Images by David Bowie.” A reminder of the indelible influence Bowie had on the formative 70s years of the post punk generation. My copy of Hunky Dory would always in be my hand in that situation.
In the Long Love Vinyl interview this quote from Will about records is just a perfect encapsulation of the magic of playing records:
“Records are time capsules, aren’t they? They’re just waiting for you to get them out of their covers and put them on the record player and bring them back to life; all of the things you were doing when you first heard that record, or for the years you’ve been playing that record, it’s all there. CDs are just so shit, aren’t they? You can’t wrap a memory around an MP3, or go into a shop and have the ritual of buying them.”
Order Assemblage (be quick!)
Assemblage is released on Aviator Records on 3 February ? pre orders are already open on the website. The vinyl and art prints are already sold out but there are some CDs still left at time writing. Thanks again to Nick and team from Aviator Records who continue to pull together great vinyl packages for us punters.
You can also buy/stream some of Will’s solo back catalogue over on his Bandcamp page, including Assemblage 1/2
You can see Will with the Bunnymen performing Ocean Rain later this year, accompanied by the Royal Liverpool Philharmonic Orchestra. Four UK dates in September, culminating at London Royal Albert Hall. A beautiful sweeping epic night in store.
https ://imgur.io/a/P7ISpLA 0493ベストヒット名無しさん2023/08/16(水) 08:45:30.22ID:4KSXkf1t お買い物報告うざい 0494ベストヒット名無しさん2023/09/07(木) 21:27:37.72ID:EbX6v+vJ ディーヴォは半世紀に及ぶ活動を網羅した作品『50 Years of De-Evolution 1973- 2023』を10月20日発売。4LP版には、バンドの象徴である赤いエナジードームを 模した折り畳み式の紙製帽子も付属。リマスター音源1曲試聴可
マーク教授の吐息や鼻息が曲中に微かに聞こえるなら欲しい。 坂本龍一『12』の教授の吐息や鼻息みたいな感じにw https://amass.jp/169459/0495ベストヒット名無しさん2023/09/07(木) 21:32:36.97ID:n2kwrdsv>>494 たまに(遠巻きで)鼻をかむ音や、あくびをしている音とかもw 0496ベストヒット名無しさん2023/09/08(金) 00:45:36.20ID:ziGnV4mk devoは何がいいのかわからない。いまだに 0497ベストヒット名無しさん2023/09/08(金) 01:17:26.73ID:KWe1BDAK>>496 ディーヴォは基本的にニューウェーヴ/パンク。1枚目は特にクールで無機質なパンクっぽい音作り。 でもみんなこれを"テクノポップ"だ"テクノポップ"だ、"イエローマジックオーケストラ"だ"インベーダー"だと形容して社会現象にもなった。 1枚目〜3、4枚目のDEVOは当時のYMOと肩を並べる人気テクノポップアーティストだったんだ。かつては 0498ベストヒット名無しさん2023/09/08(金) 07:21:02.27ID:AOitif0u 『oh,no it’s devo!』はYENレーベルから出ても良かった 0499ベストヒット名無しさん2023/09/08(金) 07:25:21.53ID:p9h3gacU 83年のYMO解散と同時に、DEVOも解散していたらまだ違ってた。 0500ベストヒット名無しさん2023/09/08(金) 16:49:32.92ID:6oh9dbxR New Traditionalistsは同時期のYMO『BGM』、『テクノデリック』同様に評価されるべき名作 0501ベストヒット名無しさん2023/09/08(金) 17:14:33.30ID:YN4RLXhV ディーヴォよりいいのはディーヴォだけ 0502ベストヒット名無しさん2023/09/08(金) 19:54:43.15ID:9d7FQ57j YMOがゴミ 0503ベストヒット名無しさん2023/09/09(土) 04:06:11.93ID:VuEL4h/9 What's different about this CD than all the other pressings that have preceded it?
THAT'S the question. We all know that this is a Residents classic, and to this reviewer's ears, the best record they have put out in their 30+ year career. (Perhaps that's because it is the first Residents record I ever bought, way way back when it was released. But I digress.)
So what IS different? This CD adds over 7 minutes of material that has been removed from every other pressing. That's EVERY other release. To Residents fans, this is like Beatles fans finding a third side to "Abbey Road." (Before you go ranting in the comments section, telling me how ridiculous that analogy is; it's a JOKE, Beatles fans! A JOKE! Tee hee?) And YES, you can tell the difference. Especially in "The Making of a Soul," and "Never Known Questions. " It is a remarkable version to hear. The other pressings' running time was a little over 35 minutes. THIS CD's running time is over 42. That's 20% more music. You read that correctly: 20% MORE!
But it does beg the question; what else are we missing from OTHER Residents classics? Are there more songs on FINGERPRINCE (their second best record in this reviewer's opinion)? Perhaps a fourth side? Why haven't they released "Meet the Residents" in its original mono, for example, with ITS original running time?? [12/7/11 update: The Residents DID, in fact, finally put out "Meet the Residents" on CD with its original running time. I don't think it's mono, but who cares? They finally restored what had been cut from the first pressing of 1,000 on vinyl. Is is possible that they read this review???? Ummm.... no. I highly doubt it. By the way... their new CD "Coochie Break" is fantastic!]
I'm glad the Residents, Ralph, and MVD are doing this. This reviewer, for one, thinks that the Residents are making a HUGE mistake by making their music available only by download (and through Amazon... though they ARE CD-Rs, or DVD-Rs as is the case with "Randy's Ghost Stories.") Residents fans are, mostly, people of a certain age (...ahem). The generation that wants a tangible product to listen to. We're not really into the whole "download-only" thing. When we could no longer get good ol' LPs, then CDs sufficed for years and years. And now the Residents tell us they're not releasing actual product anymore, but only downloads via their website. Perhaps that's why I'm so pleased with the job MVD Audio/Ralph did with re-releasing this seminal Residents album. [12/7/11 another update: they now have a store where you can buy CD-Rs, and I'm not too happy with the way they're releasing their new Ralph America limited editions, which the band said were not going to manufacture anymore. Guess what? The limited editions are baaaaack. And this reviewer is flabbergasted at they way they're being sold. Who ever thought that one day, The Residents would be concerned about making as much money for the LE CDs as possible? Are they, gulp, closet Capitalists?]
Please, please keep the new CDs coming! And the extra 7 minutes that had been originally edited out make this a double (or is it triple?) dip well worth shelling out for. And the sound quality itself is outstanding. Take note, MVD and Residents. Take note. 0504ベストヒット名無しさん2023/09/09(土) 04:06:33.23ID:VuEL4h/9 To sum it up: An absolutely essential release for every Residents fan. And without going into a review of the actual songs, compositions, lyrics, music (believe me; I'm well aware that other people, people much more qualified than I, have already done that), I do NOT consider it hyperbole to call this one of the most important records of the avant-guarde/no wave/new wave (or just plain alternative to top 40). Without overstating its impact on THIS reviewer, "Not Available" changed my life. So having seven extra minutes, to me, is a no-brainer as to whether or not to buy yet another CD pressing. I hope you take a chance. To paraphrase someone whom I have no idea, who originated the quote: Yes, the Residents [and esp "Not Available"] are an acquired taste. But it's a taste well worth acquiring. 0505ベストヒット名無しさん2023/09/09(土) 04:09:38.10ID:VuEL4h/9 Not Available was reportedly recorded in 1974 following (fictional?) musicologist N. Senada's "Theory of Obscurity", which maintains that an artist's best work is done free from the influence of an audience. In order to accomplish this, the Residents worked on the album under the premise that it would never be released until they completely forgot about its existence. It was finally made available to the public in 1978 to fill a gap in their release schedule. Even though that violated their original plan, the fact remained that the album was completed with the Theory of Obscurity in mind, and nothing would change that unless the previously-recorded sounds were altered. This 2011 reissue is remastered and restores approximately seven minutes originally cut from the LP.
I am not going to speak about the audible specifics of the work, as it is of my opinion that a piece of music should be listened to with as few presuppositions as possible in order to appreciate it in its purest form. Even vocals in known languages should be solely analyzed as instruments, because one tends to let the "meaning" of words bog down their experience of the sounds. However, because I understand that one does not have the time to hear every album in existence, and because I truly feel that Not Available is a monumental work of art, I will spoil a small bit of details about the content in the hope that I can convince the reader that a listen is well worth their time:
1. It is probably unlike anything else that you have ever heard in the past, or will hear in the future. 2. It is able to evoke a wide variety of the most intense emotions known to humankind in the listener.
That is all I will say. I hope that you will enjoy Not Available as much as I do.
I can die a happy man. Not only do we get Not Available sounding incredible, plus live tracks, plus beautiful packaging we get a whole new album on the bonus disc.. This isn’t a minor twiddling of the source material, it’s the Not Available suite broken into its constituent parts - 4 becomes 19 tracks. It sounds more organic - gorgeous harps, accordion and piano replacing synths. Familiar lyrics are expanded, rewritten - you finally get a sense of the narrative. Track 17 is possibly the most sublime 2 minutes you’ll ever hear. The one after that sounds like Neutral Milk Hotel, way before the fact. Just an amazing release - the best tenner you’ll ever spend - give it a go if you’re new to The Eyeballs, if you already love them, you’ll already have this. 0506ベストヒット名無しさん2023/09/09(土) 19:07:21.04ID:USGknC3g DEVOはオカルトの側面もある 0507ベストヒット名無しさん2023/09/10(日) 09:36:17.33ID:Qo+zXPgv The Residents released DUCK STAB! As a seven inch EP in 1978. For the group, the EP represented a break from the much more experimental Eskimo recordings which consumed the majority of a four year period from 1975 - 79. To everyone's surprise, the EP was a hit, selling 50, 000 copies in a few months. The demand was so high, that Ralph, the groups label, insisted the band to record a second EP, Buster & Glen, which they paired with DUCK STAB! #to make an LP, which was also quite successful. In order to celebrate the 40th anniversary of the legendary alternative TV show "Night Flight", The Residents created a program based on a live version of DUCK STAB!, which the band was already rehearsing as part of their upcoming 50th Anniversary Tour DOG STAB! DUCK STAB! ALIVE! #was recorded live in the studio over three days from May 19 - 21, 2021 at the 25th Street Studio in Oakland, CA. The stunning results in sound and vision are contained in this limited edition boxed set.This boxed set is a custom made 10" high quality box with a DVD Nest. The package includes two 10" LP's and a DVD Digipack with a 16 page booklet featuring a short story on Duck Stab along with full color images from the show. 0508ベストヒット名無しさん2023/09/12(火) 21:02:46.86ID:KcDeSs+F Matrix / Runout (Run-out side A, etched variant 1): AMLH 68502 A tone Matrix / Runout (Run-out side B, etched variant 1): AMLH 68502 B Matrix / Runout (Run-out side A, etched variant 2): AMLH·68502·A·7 TONE Matrix / Runout (Run-out side B, etched variant 2): AMLH·68502·B·2 Matrix / Runout (Run-out side A, etched variant 3): AMLH 68502 A 11 Tone Matrix / Runout (Run-out side B, etched variant 3): AMLH 68502 B-10 Matrix / Runout (Run-out side A, etched variant 4): AMLH 68502 A 10 TONE Matrix / Runout (Run-out side B, etched variant 4): AMLH 68502 B-10 Matrix / Runout (Run-out side A, etched variant 5): AMLH 68502 A 10 Tone Matrix / Runout (Run-out side B, etched variant 5): AMLH 68502-B11 Matrix / Runout (Run-out side A, etched variant 6): AMLH 68502 A 10 BJAJI Matrix / Runout (Run-out side B, etched variant 6): AMLH-68502-B11 その他 (Embossed on label side B): : · Matrix / Runout (Run-out side A, etched variant 7): AMLH 68502-A12 tone C 2 1 Matrix / Runout (Run-out side B, etched variant 7): AMLH 68502.B.12 22 C 3 Matrix / Runout (Run-out side A, etched variant 8): AMLH 68502 A-10 1 Matrix / Runout (Run-out side B, etched variant 8): AMLH 68502 B-10 1 Matrix / Runout (Run-out side A, etched variant 9): AMLH·68502·A·7 TONE Matrix / Runout (Run-out side B, etched variant 9): AMLH·68502·B·7 Matrix / Runout (Run-out side A, etched, /\ 3 4 stamped, variant 10): AMLH 68502 A-10 /\ 3 4 Matrix / Runout (Run-out side B, etched, D stamped, variant 10): AMLH 68502 B-11 D Matrix / Runout (Run-out side A, etched variant 11): AMLH·68502·A·7 E tone Matrix / Runout (Run-out side B, etched variant 11): AMLH·68502·B·7̶ 8 E 11 Matrix / Runout (Run-out side A, variant 12): AMLH-68502-AII D tone Matrix / Runout (Run-out side B, variant 12): AMLH•68502•B-2 CI L Matrix / Runout (Run-out side A, etched variant 13): AMLH-68502-A-10 3 C /\ Matrix / Runout (Run-out side B, etched variant 13): AMLH-68502·B·12 3 U E Matrix / Runout (Run-out side A, etched variant 14): AMLH 68502-A-12 tone 11 Matrix / Runout (Run-out side B, etched variant 14): AMLH 68502 B-10 Matrix / Runout (Run-out side A, etched, 2 D stamped, variant 15): AMLH 68502 A-10 2 D BJAJI Matrix / Runout (Run-out side B, etched, /\ stamped, variant 15): AMLH 68502·B·12 /\ 0509ベストヒット名無しさん2023/09/14(木) 01:01:35.62ID:VUGmsMVH>>499 佐川一政(CultSGI のウンコリアン) がパリ人肉事件起こした1981年末 YMOは所属していたトミー・リピューマ のhorizonレーベルとA&Mレコードから 契約更新を拒否されたんだYO 0510ベストヒット名無しさん2023/09/14(木) 01:05:33.52ID:VUGmsMVH YMO テクノデリック Japan Tin Drum
はレコード会社から戦力外通告され 契約切られる事を前提として 制作されメンバーの開放感と 開き直りがプラスに転化して 名盤になった。 0511ベストヒット名無しさん2023/09/14(木) 01:08:05.46ID:VUGmsMVH YMOのテクノデリックは 世界初のサンプリング技術導入作だが KingCrimson が1969年に活用していた メロトロンは構造的にサンプリングマシーンの先祖だYO 0512ベストヒット名無しさん2023/09/14(木) 01:13:03.52ID:VUGmsMVH ZTT のTrevor Horn先生の art of noiseのinto the battle(1983) の方がPopでCoolだったし マルコム・マクラーレンの duck rock(1982)はハービー・ハンコック先生にも影響与えた歴史的名盤。
そのおかげで坂本龍一教授は David Bowieと共演出来たから 良かったと思うYO 0516ベストヒット名無しさん2023/09/14(木) 01:27:26.64ID:VUGmsMVH DEVOだけでなく XTCもblack sea(1980)まで テクノポップ扱いされていた。
DEVOはR&Bバンド 人力エレクトロポップバンド。
The Rolling Stones satisfaction のカバー がDEVOの本質だYO 0517ベストヒット名無しさん2023/09/14(木) 01:29:17.06ID:VUGmsMVH DEVOのマーク・マザーズボー の独特な声質は ブラマンジェのボーカルと 酷似してるYO 0518ベストヒット名無しさん2023/09/14(木) 02:43:51.21ID:OEvyepI5 ゆとりの知ったかお勉強報告乙 0519ベストヒット名無しさん2023/09/15(金) 19:52:21.90ID:ICiyUiJk 1 Dancing On My Boomerang 3:14 2 Do It Today 5:05 3 Let It Take You There 6:05 4 Searching For A Feeling 4:28 5 Where's Deke? 3:18 6 Temple Bomb Twist 3:38 7 Mouse An' Me 4:54 8 All Wrapped Up! 6:29 Bonus Tracks 9 Stretch 12" 6:11 10 White And Green Place (Extraterrestrial Mix) 5:37 11 In The Air 12" 6:24 12 Why Can't We Live Together (Unreleased Version) 4:16 録音 – Berry Street Studio 録音 – The Lodge (3) 製造元 – Memory-Tech Bass, Piano, Vocals – Kev Evans Drums, Percussion – Charles Llewellin* Flute, Saxophone, Trumpet – Tony Wrafter Guitar, Vocals – John Waddington Liner Notes – Naoki E-jima* Photography By – Rick Mann (2) Producer – Adrian Sherwood, Dave Hunt, Maximum Joy, Peter Woodiscroft Vocals, Violin, Clarinet – Janine Rainforth