80年代の音楽ニュー・ウェーブ（NW）について語ってごらん
参考 NWの大まかな定義
すっかり商業に取り込まれたありきたりなスタイルのポップスを
逸脱した新しいポップス、ロックを開拓する流れの総称
参考にならんバカの群れが書いた矮小化されたNWの定義
↓
http://en.wikipedia.org/wiki/New_Wave_music
http://ja.wikipedia.org/wiki/%E3%83%8B%E3%83%A5%E3%83%BC%E3%83%BB%E3%82%A6%E3%82%A7%E3%83%BC%E3%83%B4_(%E9%9F%B3%E6%A5%BD)
前スレ
【New Wave】ニューウェーブ Vol.7【Post-Punk】
http://hello.2ch.net/test/read.cgi/natsumeloe/1436407348/
【New Wave】ニューウェーブ Vol.8【Post-Punk】 [転載禁止]©2ch.net
2015/11/17(火) 00:17:34.21ID:7sgvlzXE
532ベストヒット名無しさん
2023/10/13(金) 21:33:32.00ID:O6z2CZaq 明日のDOMMUNE、ディーヴォ50年「We’reAll DEVO!」やるらしいけど、ポリシッ糞出るなら見ないわ。いやもう見ない確定だな
https://twitter.com/DOMMUNE/status/1712757094540308893
https://twitter.com/thejimwatkins
https://twitter.com/DOMMUNE/status/1712757094540308893
https://twitter.com/thejimwatkins
533ベストヒット名無しさん
2023/10/14(土) 03:49:15.11ID:VoXKaM1v GIN GILETTE - TRAIN TO SATANVILLE (MUSIKON)
PEANUTS WILSON - CAST IRON ARM (MCA, 1957)
BOBBY MITCHELL - I’M GONNA BE A WHEEL SOMEDAY (IMPERIAL)
DWIGHT PULLEN - SUNGLASSES AFTER DARK (CARLTON)
JOHNNY CARROLL - HOT ROCK (DECCA)
NORMAN WITCHER - WAKE ME UP (POOR BOY RECORDS)
THE JIANTS - TORNADO (NORTHWOOD)
THE POLECATS - ROCKABILLY GUY (NERVOUS RECORDS)
THE METEORSMETEOR MADNESS (ACE, 1981)
V/A - MAN’S RUIN (POMPADOUR)
V/A - GREASY ROCK - N’ ROLL VOL.4 (OIL SLICK)
CARL PERKINS - THE ORIGINAL CARL PERKINS (CHARLY RECORDS)
JOHNNY BURNETTE AND THE ROCK ‘N’ ROLL TRIO - JOHNNY BURNETTE AND THE ROCK ‘N’ ROLL TRIO (MCA, 1957)
CHARLIE FEATHERS - GET WITH IT (REVERENT, 1998)
V/A - ROCKABILLY RHYTHM VOL. 2 (SUN RECORDS)
V/A - ESSENTIAL SUN ROCKABILLIES (CHARLY, 1996)
V/A - THIS IS ROCKABILLY CLASH (RAUCOUS RECORDS, 2003)
REVEREND HORTON HEAT - REVIVAL (YEP ROC, 2004)
THE CRAMPS - GRAVEST HITS (ILLEGAL RECORDS, 1977)
V/A - THE ROOTS OF ROCKABILLY 1940-1953 (INDIGO, 2004)
PEANUTS WILSON - CAST IRON ARM (MCA, 1957)
BOBBY MITCHELL - I’M GONNA BE A WHEEL SOMEDAY (IMPERIAL)
DWIGHT PULLEN - SUNGLASSES AFTER DARK (CARLTON)
JOHNNY CARROLL - HOT ROCK (DECCA)
NORMAN WITCHER - WAKE ME UP (POOR BOY RECORDS)
THE JIANTS - TORNADO (NORTHWOOD)
THE POLECATS - ROCKABILLY GUY (NERVOUS RECORDS)
THE METEORSMETEOR MADNESS (ACE, 1981)
V/A - MAN’S RUIN (POMPADOUR)
V/A - GREASY ROCK - N’ ROLL VOL.4 (OIL SLICK)
CARL PERKINS - THE ORIGINAL CARL PERKINS (CHARLY RECORDS)
JOHNNY BURNETTE AND THE ROCK ‘N’ ROLL TRIO - JOHNNY BURNETTE AND THE ROCK ‘N’ ROLL TRIO (MCA, 1957)
CHARLIE FEATHERS - GET WITH IT (REVERENT, 1998)
V/A - ROCKABILLY RHYTHM VOL. 2 (SUN RECORDS)
V/A - ESSENTIAL SUN ROCKABILLIES (CHARLY, 1996)
V/A - THIS IS ROCKABILLY CLASH (RAUCOUS RECORDS, 2003)
REVEREND HORTON HEAT - REVIVAL (YEP ROC, 2004)
THE CRAMPS - GRAVEST HITS (ILLEGAL RECORDS, 1977)
V/A - THE ROOTS OF ROCKABILLY 1940-1953 (INDIGO, 2004)
534ベストヒット名無しさん
2023/10/14(土) 07:22:12.93ID:6O5uRj86535ベストヒット名無しさん
2023/10/14(土) 17:02:48.69ID:gM3KaaYF 写真はインスタに挙げるように中村犬郎氏
536ベストヒット名無しさん
2023/10/14(土) 17:50:33.44ID:cjb87Ihm >>533
大文字ガイジ
大文字ガイジ
537ベストヒット名無しさん
2023/10/15(日) 19:39:33.30ID:G2tOCIRU GIN GILETTE - TRAIN TO SATANVILLE (MUSIKON)
PEANUTS WILSON - CAST IRON ARM (MCA, 1957)
BOBBY MITCHELL - I’M GONNA BE A WHEEL SOMEDAY (IMPERIAL)
DWIGHT PULLEN - SUNGLASSES AFTER DARK (CARLTON)
JOHNNY CARROLL - HOT ROCK (DECCA)
NORMAN WITCHER - WAKE ME UP (POOR BOY RECORDS)
THE JIANTS - TORNADO (NORTHWOOD)
THE POLECATS - ROCKABILLY GUY (NERVOUS RECORDS)
THE METEORSMETEOR MADNESS (ACE, 1981)
V/A - MAN’S RUIN (POMPADOUR)
V/A - GREASY ROCK - N’ ROLL VOL.4 (OIL SLICK)
CARL PERKINS - THE ORIGINAL CARL PERKINS (CHARLY RECORDS)
JOHNNY BURNETTE AND THE ROCK ‘N’ ROLL TRIO - JOHNNY BURNETTE AND THE ROCK ‘N’ ROLL TRIO (MCA, 1957)
CHARLIE FEATHERS - GET WITH IT (REVERENT, 1998)
V/A - ROCKABILLY RHYTHM VOL. 2 (SUN RECORDS)
V/A - ESSENTIAL SUN ROCKABILLIES (CHARLY, 1996)
V/A - THIS IS ROCKABILLY CLASH (RAUCOUS RECORDS, 2003)
REVEREND HORTON HEAT - REVIVAL (YEP ROC, 2004)
THE CRAMPS - GRAVEST HITS (ILLEGAL RECORDS, 1977)
V/A - THE ROOTS OF ROCKABILLY 1940-1953 (INDIGO, 2004)
PEANUTS WILSON - CAST IRON ARM (MCA, 1957)
BOBBY MITCHELL - I’M GONNA BE A WHEEL SOMEDAY (IMPERIAL)
DWIGHT PULLEN - SUNGLASSES AFTER DARK (CARLTON)
JOHNNY CARROLL - HOT ROCK (DECCA)
NORMAN WITCHER - WAKE ME UP (POOR BOY RECORDS)
THE JIANTS - TORNADO (NORTHWOOD)
THE POLECATS - ROCKABILLY GUY (NERVOUS RECORDS)
THE METEORSMETEOR MADNESS (ACE, 1981)
V/A - MAN’S RUIN (POMPADOUR)
V/A - GREASY ROCK - N’ ROLL VOL.4 (OIL SLICK)
CARL PERKINS - THE ORIGINAL CARL PERKINS (CHARLY RECORDS)
JOHNNY BURNETTE AND THE ROCK ‘N’ ROLL TRIO - JOHNNY BURNETTE AND THE ROCK ‘N’ ROLL TRIO (MCA, 1957)
CHARLIE FEATHERS - GET WITH IT (REVERENT, 1998)
V/A - ROCKABILLY RHYTHM VOL. 2 (SUN RECORDS)
V/A - ESSENTIAL SUN ROCKABILLIES (CHARLY, 1996)
V/A - THIS IS ROCKABILLY CLASH (RAUCOUS RECORDS, 2003)
REVEREND HORTON HEAT - REVIVAL (YEP ROC, 2004)
THE CRAMPS - GRAVEST HITS (ILLEGAL RECORDS, 1977)
V/A - THE ROOTS OF ROCKABILLY 1940-1953 (INDIGO, 2004)
538ベストヒット名無しさん
2023/10/17(火) 09:04:58.93ID:+Ftvyn83 Erano già tornati in pista nel 2019, con il primo album dopo i primi
tre grandi dischi degli anni ottanta, quelli che hanno già detto tutto
di quest'ottima band di Los Angeles, protagonista di quel "Paisley Underground" che
in quegli anni là anticipò, in qualche modo, l'alt.country degli anni novanta
e l'"americana" di oggi. Dei pionieri, di un rock, che rimaneva sostanziale, ma
profondamente influenzato dai sixties dei Byrds, band più seminale di quello che
possa sembrare. Ci hanno preso gusto e dopo la pausa pandemia, sono rientrati
in studio, nel 2022, per portarci quel suono ancora oggi, nel 2023. "September November"
è una raccolta di dodici canzoni, che vogliono essere testimoni del tempo che passa,
con il titolo che fa proprio riferimento a una specie di autunno esistenziale, oltre al fatto,
fondamentale, che hanno perso, nel 2021, il bassista Tom Stevens, a cui il disco è,
in qualche modo dedicato. Per il resto, Griffin, McCarthy e Sowders, sono tutti in prima linea,
aiutati da amici musicisti, come il bassista degli Old 97's, Murry Hammond. E il disco?
Se consideriamo il tempo che è passato, l'album è buono e ha ancora un discreto tiro,
specialmente nei pezzi elettrici, anche se si siede troppo in quelli più acustici,
rendendolo molto più riflessivo rispetto ai dischi precedenti: un suono più "americana"
che psichedelico, un po' più qualunque, a dir la verità, ma regge comunque discretamente
i quasi tre quarti d'ora di durata. La prima parte, soprattutto, con la canzone che titola
l'album, "Seasons Change", "Flying Down" e la migliore del lotto."Elmer Gantry's Is
Alive And Well", è ottima, per poi calare mano a mano che il suono si fa più acustico,
con alcuni pezzi piuttosto anonimi. Un album che non aggiunge nulla ai The Long Ryders,
ma che si ascolta comunque con piacere. Prendere o lasciare.
tre grandi dischi degli anni ottanta, quelli che hanno già detto tutto
di quest'ottima band di Los Angeles, protagonista di quel "Paisley Underground" che
in quegli anni là anticipò, in qualche modo, l'alt.country degli anni novanta
e l'"americana" di oggi. Dei pionieri, di un rock, che rimaneva sostanziale, ma
profondamente influenzato dai sixties dei Byrds, band più seminale di quello che
possa sembrare. Ci hanno preso gusto e dopo la pausa pandemia, sono rientrati
in studio, nel 2022, per portarci quel suono ancora oggi, nel 2023. "September November"
è una raccolta di dodici canzoni, che vogliono essere testimoni del tempo che passa,
con il titolo che fa proprio riferimento a una specie di autunno esistenziale, oltre al fatto,
fondamentale, che hanno perso, nel 2021, il bassista Tom Stevens, a cui il disco è,
in qualche modo dedicato. Per il resto, Griffin, McCarthy e Sowders, sono tutti in prima linea,
aiutati da amici musicisti, come il bassista degli Old 97's, Murry Hammond. E il disco?
Se consideriamo il tempo che è passato, l'album è buono e ha ancora un discreto tiro,
specialmente nei pezzi elettrici, anche se si siede troppo in quelli più acustici,
rendendolo molto più riflessivo rispetto ai dischi precedenti: un suono più "americana"
che psichedelico, un po' più qualunque, a dir la verità, ma regge comunque discretamente
i quasi tre quarti d'ora di durata. La prima parte, soprattutto, con la canzone che titola
l'album, "Seasons Change", "Flying Down" e la migliore del lotto."Elmer Gantry's Is
Alive And Well", è ottima, per poi calare mano a mano che il suono si fa più acustico,
con alcuni pezzi piuttosto anonimi. Un album che non aggiunge nulla ai The Long Ryders,
ma che si ascolta comunque con piacere. Prendere o lasciare.
539ベストヒット名無しさん
2023/10/17(火) 09:09:39.67ID:+Ftvyn83 Sid Griffin avait exploité l'intégralité de ses archives: il n'en était rien,
comme on le découvre en scrutant le menu de ces deux coffrets. Chaque box se décline
en trois volets: > l'album initial remasterisé et augmenté des faces B des singles
parus à la même époque, > les maquettes réalisées dans divers studios avant les
enregistrements définitifs, > un concert intégral issu de la tournée de promotion
contemporaine de l'album.
Le premier coffret est consacré à l'album State Of Our Union paru en 1985, qui marque
l'apogée du groupe, notamment en Europe. Après le succès d'estime de leur premier LP Native Sons,
les chancres d'un country-punk-rock tonifiant, ancêtres du futur courant Americana, cartonnent
en Angleterre avec le single "Looking For Lewis And Clark" et font les couvertures de tous
les magazines musicaux influents du Royaume Uni. Multi-instrumentistes et chanteurs/compositeurs
inspirés, Sid Griffin, Stephen McCarthy et Tom Stevens se partagent les plages du disque en y
injectant des colorations nuancées, soutenues par le drumming efficace du quatrième compère
Greg Sowders. Les douze demos de 1985, captées dans deux petits studios à L.A. et Burbank,
surprennent par leur degré d'élaboration et certains titres n'ont rien à envier aux versions
officielles. Le concert du 8 décembre au Mean Fiddler de Londres pioche dans le répertoire
du groupe, agrémenté d'un classique de Bob Dylan, "Highway 61 Revisited" et du medley
"10-5-60/London Calling".
Le second coffret revisite l'album Two Fisted Tales paru en 1987, qui marque malheureusement
le déclin des Long Ryders, pas pour des raisons artistiques mais à cause d'un conflit du groupe
avec son label Island, aboutissant à la dissolution du quatuor! Maintes fois retardé et malgré
un single prometteur, "I Want You Bad", l'album est détesté par la nouvelle équipe de promotion
du label qui le laisse sombrer. Il est pourtant d'une qualité égale au précédent et contient
le délicat "Harriet Tubman's Gonna Carry Me Home" et plusieurs chansons d'inspiration
Tom Petty & The Heartbreakers! Aucun inédit dans le disque consacré aux demos, mais pas moins de
vingt plages gravées de février à septembre 1986 dans trois studios en Californie, et certaines
prises très abouties supplantent les versions définitives. Le premier concert de 1987 voit le
groupe jouer en plein air à l'Oasis Water Park de Palm Springs et roder ses nouveaux titres, neuf
extraits du nouvel album sur une liste de treize morceaux ce jour-là.
comme on le découvre en scrutant le menu de ces deux coffrets. Chaque box se décline
en trois volets: > l'album initial remasterisé et augmenté des faces B des singles
parus à la même époque, > les maquettes réalisées dans divers studios avant les
enregistrements définitifs, > un concert intégral issu de la tournée de promotion
contemporaine de l'album.
Le premier coffret est consacré à l'album State Of Our Union paru en 1985, qui marque
l'apogée du groupe, notamment en Europe. Après le succès d'estime de leur premier LP Native Sons,
les chancres d'un country-punk-rock tonifiant, ancêtres du futur courant Americana, cartonnent
en Angleterre avec le single "Looking For Lewis And Clark" et font les couvertures de tous
les magazines musicaux influents du Royaume Uni. Multi-instrumentistes et chanteurs/compositeurs
inspirés, Sid Griffin, Stephen McCarthy et Tom Stevens se partagent les plages du disque en y
injectant des colorations nuancées, soutenues par le drumming efficace du quatrième compère
Greg Sowders. Les douze demos de 1985, captées dans deux petits studios à L.A. et Burbank,
surprennent par leur degré d'élaboration et certains titres n'ont rien à envier aux versions
officielles. Le concert du 8 décembre au Mean Fiddler de Londres pioche dans le répertoire
du groupe, agrémenté d'un classique de Bob Dylan, "Highway 61 Revisited" et du medley
"10-5-60/London Calling".
Le second coffret revisite l'album Two Fisted Tales paru en 1987, qui marque malheureusement
le déclin des Long Ryders, pas pour des raisons artistiques mais à cause d'un conflit du groupe
avec son label Island, aboutissant à la dissolution du quatuor! Maintes fois retardé et malgré
un single prometteur, "I Want You Bad", l'album est détesté par la nouvelle équipe de promotion
du label qui le laisse sombrer. Il est pourtant d'une qualité égale au précédent et contient
le délicat "Harriet Tubman's Gonna Carry Me Home" et plusieurs chansons d'inspiration
Tom Petty & The Heartbreakers! Aucun inédit dans le disque consacré aux demos, mais pas moins de
vingt plages gravées de février à septembre 1986 dans trois studios en Californie, et certaines
prises très abouties supplantent les versions définitives. Le premier concert de 1987 voit le
groupe jouer en plein air à l'Oasis Water Park de Palm Springs et roder ses nouveaux titres, neuf
extraits du nouvel album sur une liste de treize morceaux ce jour-là.
540ベストヒット名無しさん
2023/10/17(火) 09:10:04.20ID:+Ftvyn83 D'autres tournées vont suivre, et un retour en Angleterre pour quelques dates au mois de juin ne
génère malheureusement guère d'enthousiasme. Alors que les Long Ryders rêvent de marcher sur les
traces de R.E.M., c'est une débâcle financière qui les frappe, et en aout leur bassiste Tom Stevens
jette l'éponge, suivi quelques mois plus tard par Stephen McCarthy. Curieusement, la maison de disques
réclame un autre album, mais les rescapés Sid Griffin et Greg Sowders hésitent: ils renoncent finalement,
et fin décembre 1987, le groupe est officiellement dissous. Les deux hommes fondent The Coal Porters,
mais au bout de quelques semaines, Sowders quitte le projet pour un poste plus lucratif aux éditions
Warner Chapell, laissant Sid Griffin créer son propre label Prima et le courant At.bluegrass, publiant
six albums avec sa nouvelle formation au cours des vingt années suivantes, ainsi que trois albums en solo.
Tom Stevens enregistre pour sa part quatre albums intéressants mais mal distribués entre 1995 et 2009.
Stephen McCarthy est le moins prolixe de la bande: en dehors de trois contributions ponctuelles à des
compilations, il rejoint Gutterball le temps de deux albums en 1993 et 1995, puis fait un (trop) bref
passage au sein des Jayhawks en 2003 sur l'album Rainy Day Music.
génère malheureusement guère d'enthousiasme. Alors que les Long Ryders rêvent de marcher sur les
traces de R.E.M., c'est une débâcle financière qui les frappe, et en aout leur bassiste Tom Stevens
jette l'éponge, suivi quelques mois plus tard par Stephen McCarthy. Curieusement, la maison de disques
réclame un autre album, mais les rescapés Sid Griffin et Greg Sowders hésitent: ils renoncent finalement,
et fin décembre 1987, le groupe est officiellement dissous. Les deux hommes fondent The Coal Porters,
mais au bout de quelques semaines, Sowders quitte le projet pour un poste plus lucratif aux éditions
Warner Chapell, laissant Sid Griffin créer son propre label Prima et le courant At.bluegrass, publiant
six albums avec sa nouvelle formation au cours des vingt années suivantes, ainsi que trois albums en solo.
Tom Stevens enregistre pour sa part quatre albums intéressants mais mal distribués entre 1995 et 2009.
Stephen McCarthy est le moins prolixe de la bande: en dehors de trois contributions ponctuelles à des
compilations, il rejoint Gutterball le temps de deux albums en 1993 et 1995, puis fait un (trop) bref
passage au sein des Jayhawks en 2003 sur l'album Rainy Day Music.
541ベストヒット名無しさん
2023/10/17(火) 10:04:05.00ID:AkBNb1I7 >>540
汚痔ちゃんが日々続けなけりゃ済まないそれは、きっとこの世のすべてへの復讐なのね・・・
汚痔ちゃんが日々続けなけりゃ済まないそれは、きっとこの世のすべてへの復讐なのね・・・
542ベストヒット名無しさん
2023/10/25(水) 20:35:51.23ID:YUdlPPMR Inspired by the Harper Lee novel, "Mockingbird" is the fifth album by
John Zorn's Gnostic Trio. The Frisell-Wollesen-Emanuel group plays enchanted
music that is always meditational and peaceful. As with the last few releases,
Bill Frisell is the standout. Indeed, on "Mockingbird," Frisell's notes gracefully
dance about the ether.
Carol Emanuel plays a supportive role on the harp and Kenny Wollesen creates
a mystical ambiance with the vibes and bells. Given the meditative quality,
this is wonderful music to play first thing in the morning. Mockingbirds were
named on account of their ability and interest in reproducing the sounds of
other birds. In an odd parallel, the only drawback to "Mockingbird" is that
it's a rehash of the group's previous work. It's stronger than the first album,
" Gnostic Preludes ," but there's little differentiation between this effort and
the previous three albums, " In Lambeth ," " the Mysteries ," and " the Testament
of Solomon ." Given a blindfolded test, most listeners would be unable to tell the
difference between "Mockingbird" and the last few albums. So it's a beautiful recording,
but only completists will need the entire quintet. If Zorn is going to continue this
fantastic group, let’s hope that the next album moves in a fresh direction.
In the end, "Mockingbird" may be redundant, but the music still takes flight.
John Zorn's Gnostic Trio. The Frisell-Wollesen-Emanuel group plays enchanted
music that is always meditational and peaceful. As with the last few releases,
Bill Frisell is the standout. Indeed, on "Mockingbird," Frisell's notes gracefully
dance about the ether.
Carol Emanuel plays a supportive role on the harp and Kenny Wollesen creates
a mystical ambiance with the vibes and bells. Given the meditative quality,
this is wonderful music to play first thing in the morning. Mockingbirds were
named on account of their ability and interest in reproducing the sounds of
other birds. In an odd parallel, the only drawback to "Mockingbird" is that
it's a rehash of the group's previous work. It's stronger than the first album,
" Gnostic Preludes ," but there's little differentiation between this effort and
the previous three albums, " In Lambeth ," " the Mysteries ," and " the Testament
of Solomon ." Given a blindfolded test, most listeners would be unable to tell the
difference between "Mockingbird" and the last few albums. So it's a beautiful recording,
but only completists will need the entire quintet. If Zorn is going to continue this
fantastic group, let’s hope that the next album moves in a fresh direction.
In the end, "Mockingbird" may be redundant, but the music still takes flight.
543ベストヒット名無しさん
2023/11/01(水) 10:38:30.95ID:GIpS3Yx1 50 Years of De-Evolution (1973-2023) Unboxing
https://www.youtube.com/watch?v=Y-qHpsLBU0Y
https://www.youtube.com/watch?v=Y-qHpsLBU0Y
544ベストヒット名無しさん
2023/11/03(金) 22:16:46.69ID:dKKseWkJ CVがほとんどレジデンツのパクリなのが最近よ〜くわかってきた
545ベストヒット名無しさん
2023/11/09(木) 20:25:40.60ID:Ctze6qE/ "Alan Davies has gone where no one has gone before. No, not on the Enterprise,
but into the mind of tENTATIVELY, a cONVENIENCE, America's favorite Pataphysician,
now fully eschewing art in favor of mad science, reveals to Alan what he really
thinks about all those poses of the worlds of art and poetry.
"I've long since rejected being an 'artist' b/c it's my opinion that art is an
uncreative context & I prefer to be creative." From the censorship of his work to
the explosive revelations of his most rational analysis, reading the interview between
two of America's most radical artists is a consummation of something incredbly perverse
under your Christmas tree." -- James Sherry, poet, essayist, publisher of Roof Books
"My job as Sacred Scribe of the Church of the SubGenius has brought me into contact with
some DAMNED interesting, and, even better, damned WEIRD indiviudals. Of the many hundreds,
perhaps many thousands of weirdos I have known, the man we call Saint tENTATIVELY,
a cONVENIENCE stands out as one of the earliest-met and yet, even 35 years later, still among
the very most weird and interesting. His startling originality and sheer testicularity would
be enough to qualify him as a SubGenius Saint. But on top of that he's a nice fellow.
But you know he must be pretty smart, because you can kind of see his brain under his hair."
- Rev. Ivan Stang, Sacred Scribe #273, Church of the SubGenius
"Buxom blond bombshell, Miss Belinda Blurb, in the act of blurbing, once famously blurted out,
"Yes, this is a 'BLURB'." Those words are as true today as when they were first written by
Galett Burgess in 1907. Over thirty years ago, tENTATIVELY a cONVENIENCE, exposed me to the
joys of subverting reality, and changed my life in the process. Here in 2013, Mr. cONVENIENCE
has done it again with another excellent installment in his inspirational series of must read,
self help books. Mr. cONVENIENCE inspires us all with his insightful observations, entertaining
anecdotes, and shoddy financial advice. If YOU are going to READ BOOKS this year, THIS could be
ONE of those BOOKs." -- Vermin Supreme, Presidential Candidate
"As so much of tENT's work aspires to an apotheosis of self-referntiality, wherein the work's
workings are explicated as they are embodied in the work itself, the personal interview is
in many ways the perfect form for his ideas. As one of tENT's laziest readers I welcome the
relatively un-coded directness of this book, and for the opportunity to learn more about his
life, from his earliest adventures in reading (which accounts reached in and tickled my little
boy brain) to his last mega-word. This book is relatively easy to ingest, but is filled with
seeds that swell and germinate inside the receptive head. As with all his work it is rigorously
logical yet zany; laced with ideas from the "highest" partials yet rooted and practical; and
serious yet funny. These are not contradictions though many might take them as such, and they
are not so much strategies to evade intellectual entrapment (however worthy an endeavor) as
self-flowering practices of our innate freedom and inherent weirdness. tENT as esoteric
everyman! Listen and learn! But open this book at your own risk, as the attentive tENTian
reader will begin to die laughing while reading it. I'll laugh through my last breath
any day, so long as tENT never finishes pronouncing his last word, laughing as he goes."
- Eddie Watkins, poet, GoodReads reviewer
but into the mind of tENTATIVELY, a cONVENIENCE, America's favorite Pataphysician,
now fully eschewing art in favor of mad science, reveals to Alan what he really
thinks about all those poses of the worlds of art and poetry.
"I've long since rejected being an 'artist' b/c it's my opinion that art is an
uncreative context & I prefer to be creative." From the censorship of his work to
the explosive revelations of his most rational analysis, reading the interview between
two of America's most radical artists is a consummation of something incredbly perverse
under your Christmas tree." -- James Sherry, poet, essayist, publisher of Roof Books
"My job as Sacred Scribe of the Church of the SubGenius has brought me into contact with
some DAMNED interesting, and, even better, damned WEIRD indiviudals. Of the many hundreds,
perhaps many thousands of weirdos I have known, the man we call Saint tENTATIVELY,
a cONVENIENCE stands out as one of the earliest-met and yet, even 35 years later, still among
the very most weird and interesting. His startling originality and sheer testicularity would
be enough to qualify him as a SubGenius Saint. But on top of that he's a nice fellow.
But you know he must be pretty smart, because you can kind of see his brain under his hair."
- Rev. Ivan Stang, Sacred Scribe #273, Church of the SubGenius
"Buxom blond bombshell, Miss Belinda Blurb, in the act of blurbing, once famously blurted out,
"Yes, this is a 'BLURB'." Those words are as true today as when they were first written by
Galett Burgess in 1907. Over thirty years ago, tENTATIVELY a cONVENIENCE, exposed me to the
joys of subverting reality, and changed my life in the process. Here in 2013, Mr. cONVENIENCE
has done it again with another excellent installment in his inspirational series of must read,
self help books. Mr. cONVENIENCE inspires us all with his insightful observations, entertaining
anecdotes, and shoddy financial advice. If YOU are going to READ BOOKS this year, THIS could be
ONE of those BOOKs." -- Vermin Supreme, Presidential Candidate
"As so much of tENT's work aspires to an apotheosis of self-referntiality, wherein the work's
workings are explicated as they are embodied in the work itself, the personal interview is
in many ways the perfect form for his ideas. As one of tENT's laziest readers I welcome the
relatively un-coded directness of this book, and for the opportunity to learn more about his
life, from his earliest adventures in reading (which accounts reached in and tickled my little
boy brain) to his last mega-word. This book is relatively easy to ingest, but is filled with
seeds that swell and germinate inside the receptive head. As with all his work it is rigorously
logical yet zany; laced with ideas from the "highest" partials yet rooted and practical; and
serious yet funny. These are not contradictions though many might take them as such, and they
are not so much strategies to evade intellectual entrapment (however worthy an endeavor) as
self-flowering practices of our innate freedom and inherent weirdness. tENT as esoteric
everyman! Listen and learn! But open this book at your own risk, as the attentive tENTian
reader will begin to die laughing while reading it. I'll laugh through my last breath
any day, so long as tENT never finishes pronouncing his last word, laughing as he goes."
- Eddie Watkins, poet, GoodReads reviewer
546ベストヒット名無しさん
2023/11/10(金) 17:32:59.17ID:qwnsm1SD547ベストヒット名無しさん
2023/11/16(木) 16:12:11.50ID:hr3wWbRs 0963名盤さん
2023/10/17(火) 11:23:56.44ID:iy8RICqf
>>９６１
プログレ自体知らないんだろな
サードイヤーバンドも知らなかったし
ニルバーナも知らない
21世紀とか有名なやつを知ったかぶり
初期サバスがヘビーメタルの元祖とかにわか丸出しだからな
0966名盤さん
2023/10/17(火) 11:29:32.93ID:RrnXW+Mr
>>９６３
バカメンはスミスとかラブレス好きな時点で元々の感性は超凡庸だからね
プログレもフールズメイト丸コピーしてるだけの単なるカルト信者でしかないから
丸コピー馬鹿ってサルマネしてるだけだから応用力皆無だし
0970名盤さん
2023/10/17(火) 11:38:59.45ID:RrnXW+Mr
バカメンはメタル系もパンテラとスレイヤー最近聴き出した超ニワカだよｗ
0971名盤さん
つーか洋楽板全体に関してスワンズだのアルビニだの挙げてるの見ても
単なるカートコバーン信者にしか見えないｗ
0981名盤さん
2023/10/17(火) 13:29:55.96ID:RrnXW+Mr
バカメンで一番糞ワロタのは「後追い」でも音源さえ聴ければどうでもいいとか云ってたのに
ドリトルリアルタイムとか小５からテストデプト聴いてたとかその前にNWさらったとか
年齢詐称および経歴詐称し出した時だなｗ
0984名盤さん
2023/10/17(火) 13:53:05.90ID:6i5O7z4a
学歴詐称と年齢詐称と経歴詐称って全部完全にウソじゃんｗ
2023/10/17(火) 11:23:56.44ID:iy8RICqf
>>９６１
プログレ自体知らないんだろな
サードイヤーバンドも知らなかったし
ニルバーナも知らない
21世紀とか有名なやつを知ったかぶり
初期サバスがヘビーメタルの元祖とかにわか丸出しだからな
0966名盤さん
2023/10/17(火) 11:29:32.93ID:RrnXW+Mr
>>９６３
バカメンはスミスとかラブレス好きな時点で元々の感性は超凡庸だからね
プログレもフールズメイト丸コピーしてるだけの単なるカルト信者でしかないから
丸コピー馬鹿ってサルマネしてるだけだから応用力皆無だし
0970名盤さん
2023/10/17(火) 11:38:59.45ID:RrnXW+Mr
バカメンはメタル系もパンテラとスレイヤー最近聴き出した超ニワカだよｗ
0971名盤さん
つーか洋楽板全体に関してスワンズだのアルビニだの挙げてるの見ても
単なるカートコバーン信者にしか見えないｗ
0981名盤さん
2023/10/17(火) 13:29:55.96ID:RrnXW+Mr
バカメンで一番糞ワロタのは「後追い」でも音源さえ聴ければどうでもいいとか云ってたのに
ドリトルリアルタイムとか小５からテストデプト聴いてたとかその前にNWさらったとか
年齢詐称および経歴詐称し出した時だなｗ
0984名盤さん
2023/10/17(火) 13:53:05.90ID:6i5O7z4a
学歴詐称と年齢詐称と経歴詐称って全部完全にウソじゃんｗ
548ベストヒット名無しさん
2023/11/19(日) 21:42:06.48ID:OtqLTi0g 0354名盤さん
2023/11/16(木) 17:12:05.70ID:VpsA9fHp
>>345
バカメンはカートコバーン信者で間違いないよ
ピクシーズ崇拝、アルビニ崇拝、スワンズ崇拝、ブラッグサバス崇拝
っておいおいｗ完全にカートコバーンのコピーロボットじゃないかよｗ
0355名盤さん
2023/11/16(木) 17:12:58.12ID:VpsA9fHp
コバーンリスト馬鹿信者の典型っていうかｗ
コバーンそっくり丸コピー趣味みたいなｗ
0359名盤さん
コバーンのサルマネしてれば通気取れると思ってる典型的な馬鹿っていうかｗ
サルマネ馬鹿信者かつ後追いかつ教祖様否定の３重苦リスナーみたいなｗ
0361名盤さん
2023/11/16(木) 17:19:45.44ID:VpsA9fHp
この後追いのコバーンサルマネリスナーがほんとゴミのように溢れてるよね５ｃｈってｗ
0363名盤さん
2023/11/16(木) 17:21:45.95ID:VpsA9fHp
で、コバーンが好きな本当の理由は「ルックスがいいから」
っていうジャニオタリスニングだしｗ
それ足すと４重苦リスナーじゃんみたいなｗ
0366名盤さん
2023/11/16(木) 17:24:41.94ID:VpsA9fHp
いい加減うぜえからコバーンサルマネリスナーｗ
永遠にやってろ教祖様崇拝リスニングｗ
0368名盤さん
2023/11/16(木) 17:27:54.83ID:VpsA9fHp
スミス、ラブレス、コバーンって完全に元ロキノンじゃんｗ
2023/11/16(木) 17:12:05.70ID:VpsA9fHp
>>345
バカメンはカートコバーン信者で間違いないよ
ピクシーズ崇拝、アルビニ崇拝、スワンズ崇拝、ブラッグサバス崇拝
っておいおいｗ完全にカートコバーンのコピーロボットじゃないかよｗ
0355名盤さん
2023/11/16(木) 17:12:58.12ID:VpsA9fHp
コバーンリスト馬鹿信者の典型っていうかｗ
コバーンそっくり丸コピー趣味みたいなｗ
0359名盤さん
コバーンのサルマネしてれば通気取れると思ってる典型的な馬鹿っていうかｗ
サルマネ馬鹿信者かつ後追いかつ教祖様否定の３重苦リスナーみたいなｗ
0361名盤さん
2023/11/16(木) 17:19:45.44ID:VpsA9fHp
この後追いのコバーンサルマネリスナーがほんとゴミのように溢れてるよね５ｃｈってｗ
0363名盤さん
2023/11/16(木) 17:21:45.95ID:VpsA9fHp
で、コバーンが好きな本当の理由は「ルックスがいいから」
っていうジャニオタリスニングだしｗ
それ足すと４重苦リスナーじゃんみたいなｗ
0366名盤さん
2023/11/16(木) 17:24:41.94ID:VpsA9fHp
いい加減うぜえからコバーンサルマネリスナーｗ
永遠にやってろ教祖様崇拝リスニングｗ
0368名盤さん
2023/11/16(木) 17:27:54.83ID:VpsA9fHp
スミス、ラブレス、コバーンって完全に元ロキノンじゃんｗ
2023/11/24(金) 15:54:32.97ID:FR/iB5Ul
郡部くん＆レコメンがんばれ〜（ ＾ω＾）ノ 嫌われ者キチガイ糞豚包茎フランス書院タヒね！m6（ ＾ω＾ ）
郡部くん＆レコメンがんばれ〜（ ＾ω＾）ノ 嫌われ者キチガイ糞豚包茎フランス書院タヒね！m6（ ＾ω＾ ）
郡部くん＆レコメンがんばれ〜（ ＾ω＾）ノ 嫌われ者キチガイ糞豚包茎フランス書院タヒね！m6（ ＾ω＾ ）
郡部くん＆レコメンがんばれ〜（ ＾ω＾）ノ 嫌われ者キチガイ糞豚包茎フランス書院タヒね！m6（ ＾ω＾ ）
郡部くん＆レコメンがんばれ〜（ ＾ω＾）ノ 嫌われ者キチガイ糞豚包茎フランス書院タヒね！m6（ ＾ω＾ ）
郡部くん＆レコメンがんばれ〜（ ＾ω＾）ノ 嫌われ者キチガイ糞豚包茎フランス書院タヒね！m6（ ＾ω＾ ）
郡部くん＆レコメンがんばれ〜（ ＾ω＾）ノ 嫌われ者キチガイ糞豚包茎フランス書院タヒね！m6（ ＾ω＾ ）
郡部くん＆レコメンがんばれ〜（ ＾ω＾）ノ 嫌われ者キチガイ糞豚包茎フランス書院タヒね！m6（ ＾ω＾ ）
郡部くん＆レコメンがんばれ〜（ ＾ω＾）ノ 嫌われ者キチガイ糞豚包茎フランス書院タヒね！m6（ ＾ω＾ ）
郡部くん＆レコメンがんばれ〜（ ＾ω＾）ノ 嫌われ者キチガイ糞豚包茎フランス書院タヒね！m6（ ＾ω＾ ）
郡部くん＆レコメンがんばれ〜（ ＾ω＾）ノ 嫌われ者キチガイ糞豚包茎フランス書院タヒね！m6（ ＾ω＾ ）
郡部くん＆レコメンがんばれ〜（ ＾ω＾）ノ 嫌われ者キチガイ糞豚包茎フランス書院タヒね！m6（ ＾ω＾ ）
郡部くん＆レコメンがんばれ〜（ ＾ω＾）ノ 嫌われ者キチガイ糞豚包茎フランス書院タヒね！m6（ ＾ω＾ ）
郡部くん＆レコメンがんばれ〜（ ＾ω＾）ノ 嫌われ者キチガイ糞豚包茎フランス書院タヒね！m6（ ＾ω＾ ）
郡部くん＆レコメンがんばれ〜（ ＾ω＾）ノ 嫌われ者キチガイ糞豚包茎フランス書院タヒね！m6（ ＾ω＾ ）
郡部くん＆レコメンがんばれ〜（ ＾ω＾）ノ 嫌われ者キチガイ糞豚包茎フランス書院タヒね！m6（ ＾ω＾ ）
郡部くん＆レコメンがんばれ〜（ ＾ω＾）ノ 嫌われ者キチガイ糞豚包茎フランス書院タヒね！m6（ ＾ω＾ ）
550ベストヒット名無しさん
2023/11/30(木) 15:21:44.64ID:OY7D/aGv 0963名盤さん
2023/10/17(火) 11:23:56.44ID:iy8RICqf
>>９６１
プログレ自体知らないんだろな
サードイヤーバンドも知らなかったし
ニルバーナも知らない
21世紀とか有名なやつを知ったかぶり
初期サバスがヘビーメタルの元祖とかにわか丸出しだからな
0966名盤さん
2023/10/17(火) 11:29:32.93ID:RrnXW+Mr
>>９６３
バカメンはスミスとかラブレス好きな時点で元々の感性は超凡庸だからね
プログレもフールズメイト丸コピーしてるだけの単なるカルト信者でしかないから
丸コピー馬鹿ってサルマネしてるだけだから応用力皆無だし
0970名盤さん
2023/10/17(火) 11:38:59.45ID:RrnXW+Mr
バカメンはメタル系もパンテラとスレイヤー最近聴き出した超ニワカだよｗ
0971名盤さん
つーか洋楽板全体に関してスワンズだのアルビニだの挙げてるの見ても
単なるカートコバーン信者にしか見えないｗ
0981名盤さん
2023/10/17(火) 13:29:55.96ID:RrnXW+Mr
バカメンで一番糞ワロタのは「後追い」でも音源さえ聴ければどうでもいいとか云ってたのに
ドリトルリアルタイムとか小５からテストデプト聴いてたとかその前にNWさらったとか
年齢詐称および経歴詐称し出した時だなｗ
0984名盤さん
2023/10/17(火) 13:53:05.90ID:6i5O7z4a
学歴詐称と年齢詐称と経歴詐称って全部完全にウソじゃんｗ
2023/10/17(火) 11:23:56.44ID:iy8RICqf
>>９６１
プログレ自体知らないんだろな
サードイヤーバンドも知らなかったし
ニルバーナも知らない
21世紀とか有名なやつを知ったかぶり
初期サバスがヘビーメタルの元祖とかにわか丸出しだからな
0966名盤さん
2023/10/17(火) 11:29:32.93ID:RrnXW+Mr
>>９６３
バカメンはスミスとかラブレス好きな時点で元々の感性は超凡庸だからね
プログレもフールズメイト丸コピーしてるだけの単なるカルト信者でしかないから
丸コピー馬鹿ってサルマネしてるだけだから応用力皆無だし
0970名盤さん
2023/10/17(火) 11:38:59.45ID:RrnXW+Mr
バカメンはメタル系もパンテラとスレイヤー最近聴き出した超ニワカだよｗ
0971名盤さん
つーか洋楽板全体に関してスワンズだのアルビニだの挙げてるの見ても
単なるカートコバーン信者にしか見えないｗ
0981名盤さん
2023/10/17(火) 13:29:55.96ID:RrnXW+Mr
バカメンで一番糞ワロタのは「後追い」でも音源さえ聴ければどうでもいいとか云ってたのに
ドリトルリアルタイムとか小５からテストデプト聴いてたとかその前にNWさらったとか
年齢詐称および経歴詐称し出した時だなｗ
0984名盤さん
2023/10/17(火) 13:53:05.90ID:6i5O7z4a
学歴詐称と年齢詐称と経歴詐称って全部完全にウソじゃんｗ
551ベストヒット名無しさん
2023/11/30(木) 15:22:09.94ID:OY7D/aGv 0354名盤さん
2023/11/16(木) 17:12:05.70ID:VpsA9fHp
>>345
バカメンはカートコバーン信者で間違いないよ
ピクシーズ崇拝、アルビニ崇拝、スワンズ崇拝、ブラッグサバス崇拝
っておいおいｗ完全にカートコバーンのコピーロボットじゃないかよｗ
0355名盤さん
2023/11/16(木) 17:12:58.12ID:VpsA9fHp
コバーンリスト馬鹿信者の典型っていうかｗ
コバーンそっくり丸コピー趣味みたいなｗ
0359名盤さん
コバーンのサルマネしてれば通気取れると思ってる典型的な馬鹿っていうかｗ
サルマネ馬鹿信者かつ後追いかつ教祖様否定の３重苦リスナーみたいなｗ
0361名盤さん
2023/11/16(木) 17:19:45.44ID:VpsA9fHp
この後追いのコバーンサルマネリスナーがほんとゴミのように溢れてるよね５ｃｈってｗ
0363名盤さん
2023/11/16(木) 17:21:45.95ID:VpsA9fHp
で、コバーンが好きな本当の理由は「ルックスがいいから」
っていうジャニオタリスニングだしｗ
それ足すと４重苦リスナーじゃんみたいなｗ
0366名盤さん
2023/11/16(木) 17:24:41.94ID:VpsA9fHp
いい加減うぜえからコバーンサルマネリスナーｗ
永遠にやってろ教祖様崇拝リスニングｗ
0368名盤さん
2023/11/16(木) 17:27:54.83ID:VpsA9fHp
スミス、ラブレス、コバーンって完全に元ロキノンじゃんｗ
2023/11/16(木) 17:12:05.70ID:VpsA9fHp
>>345
バカメンはカートコバーン信者で間違いないよ
ピクシーズ崇拝、アルビニ崇拝、スワンズ崇拝、ブラッグサバス崇拝
っておいおいｗ完全にカートコバーンのコピーロボットじゃないかよｗ
0355名盤さん
2023/11/16(木) 17:12:58.12ID:VpsA9fHp
コバーンリスト馬鹿信者の典型っていうかｗ
コバーンそっくり丸コピー趣味みたいなｗ
0359名盤さん
コバーンのサルマネしてれば通気取れると思ってる典型的な馬鹿っていうかｗ
サルマネ馬鹿信者かつ後追いかつ教祖様否定の３重苦リスナーみたいなｗ
0361名盤さん
2023/11/16(木) 17:19:45.44ID:VpsA9fHp
この後追いのコバーンサルマネリスナーがほんとゴミのように溢れてるよね５ｃｈってｗ
0363名盤さん
2023/11/16(木) 17:21:45.95ID:VpsA9fHp
で、コバーンが好きな本当の理由は「ルックスがいいから」
っていうジャニオタリスニングだしｗ
それ足すと４重苦リスナーじゃんみたいなｗ
0366名盤さん
2023/11/16(木) 17:24:41.94ID:VpsA9fHp
いい加減うぜえからコバーンサルマネリスナーｗ
永遠にやってろ教祖様崇拝リスニングｗ
0368名盤さん
2023/11/16(木) 17:27:54.83ID:VpsA9fHp
スミス、ラブレス、コバーンって完全に元ロキノンじゃんｗ
552ベストヒット名無しさん
2023/11/30(木) 15:22:32.79ID:OY7D/aGv 0517名盤さん
2023/11/29(水) 12:09:38.22ID:lmDN2Xf6
バカメンで糞ワロタのはコバーン信者ってだけじゃなくレッチリも好きなのなｗ
あんなのコバーン以上の超子供騙しバンドじゃんｗ
この辺のスミス、ラブレス、コバーン、レッチリ辺りのフェイバリット並び見ると
ロキノン臭がきつ過ぎて頭クラクラするｗ
0518名盤さん
2023/11/29(水) 12:11:37.33ID:lmDN2Xf6
ロキノンはいい加減に卒業してくださいねｗ
あなたはいつまでロキノンなんですか？
0519名盤さん
2023/11/29(水) 12:26:14.51ID:jbedtu3X
スミス、マイブラ、ニルバーナ、レッチリってｗ
ここにレディオヘッド入れるとおれの嫌いな５大バンド完成しちゃうんですがｗ
0521名盤さん
2023/11/29(水) 12:28:50.50ID:jbedtu3X
スミス、マイブラ、ニルバーナ、レッチリ好きな時点でミーハーな俗物極まりないｗ
こんなのがルーツってもうｗ
0527名盤さん
2023/11/29(水) 13:52:45.43ID:kFRIVnyj
＞俺はレッチリもニルヴァーナも好きだと言った事も思った事もアリマｯセン♪
レッチリスレで「最強リズム隊」とかよく語ってたよねｗ
ピクシーズとかアルビニとかスワンズとかサバスとかどう見てもコバーン崇拝完コピ趣味だしｗ
そういえばあぶらだことかディスヒートのフールズメイトそっくり丸コピー趣味も完全否定してたなｗ
それ以外にも高卒なのに大卒設定だったりドリトルリアルタイムとか小５からテストデプト聴いてたとか
その前にＮＷ一通りさらったとか完全に年齢詐称および経歴詐称だしｗ
要するに何もかも全部完全にウソじゃんｗ
2023/11/29(水) 12:09:38.22ID:lmDN2Xf6
バカメンで糞ワロタのはコバーン信者ってだけじゃなくレッチリも好きなのなｗ
あんなのコバーン以上の超子供騙しバンドじゃんｗ
この辺のスミス、ラブレス、コバーン、レッチリ辺りのフェイバリット並び見ると
ロキノン臭がきつ過ぎて頭クラクラするｗ
0518名盤さん
2023/11/29(水) 12:11:37.33ID:lmDN2Xf6
ロキノンはいい加減に卒業してくださいねｗ
あなたはいつまでロキノンなんですか？
0519名盤さん
2023/11/29(水) 12:26:14.51ID:jbedtu3X
スミス、マイブラ、ニルバーナ、レッチリってｗ
ここにレディオヘッド入れるとおれの嫌いな５大バンド完成しちゃうんですがｗ
0521名盤さん
2023/11/29(水) 12:28:50.50ID:jbedtu3X
スミス、マイブラ、ニルバーナ、レッチリ好きな時点でミーハーな俗物極まりないｗ
こんなのがルーツってもうｗ
0527名盤さん
2023/11/29(水) 13:52:45.43ID:kFRIVnyj
＞俺はレッチリもニルヴァーナも好きだと言った事も思った事もアリマｯセン♪
レッチリスレで「最強リズム隊」とかよく語ってたよねｗ
ピクシーズとかアルビニとかスワンズとかサバスとかどう見てもコバーン崇拝完コピ趣味だしｗ
そういえばあぶらだことかディスヒートのフールズメイトそっくり丸コピー趣味も完全否定してたなｗ
それ以外にも高卒なのに大卒設定だったりドリトルリアルタイムとか小５からテストデプト聴いてたとか
その前にＮＷ一通りさらったとか完全に年齢詐称および経歴詐称だしｗ
要するに何もかも全部完全にウソじゃんｗ
553ベストヒット名無しさん
2023/12/09(土) 04:13:47.16ID:bX7fn+oL 0282名盤さん
2023/12/03(日) 20:26:16.89ID:6fSK7O2R
コニープランクと云えば Phew の 2nd
ドイツ絡みってホントにそれくらいしか好きになれんかった
あとはブリキの太鼓のサントラくらいか
0752名盤さん
2023/12/05(火) 18:14:33.70ID:y1Nkyo88
>>282
Phewは1stとOUR LIKENESSがコニープランクプロデュース
おまえが挙げてる２ndはコニープランク全く無関係ｗ
さすがのバカメンクオリティw
2023/12/05(火) 18:36:08.58ID:y1Nkyo88
あの音のどこがコニープランクなんだろうねえｗ
相当遠いよねコニープランクからはｗ
0757名盤さん
2023/12/05(火) 18:41:36.10ID:y1Nkyo88
せっかくの愛聴盤でも全く理解できないで聴いてるとこうなっちゃうよねｗ
2023/12/03(日) 20:26:16.89ID:6fSK7O2R
コニープランクと云えば Phew の 2nd
ドイツ絡みってホントにそれくらいしか好きになれんかった
あとはブリキの太鼓のサントラくらいか
0752名盤さん
2023/12/05(火) 18:14:33.70ID:y1Nkyo88
>>282
Phewは1stとOUR LIKENESSがコニープランクプロデュース
おまえが挙げてる２ndはコニープランク全く無関係ｗ
さすがのバカメンクオリティw
2023/12/05(火) 18:36:08.58ID:y1Nkyo88
あの音のどこがコニープランクなんだろうねえｗ
相当遠いよねコニープランクからはｗ
0757名盤さん
2023/12/05(火) 18:41:36.10ID:y1Nkyo88
せっかくの愛聴盤でも全く理解できないで聴いてるとこうなっちゃうよねｗ
554ベストヒット名無しさん
2023/12/13(水) 16:51:25.74ID:AkZIzq0X Modern Classic Recordings, an imprint of Light in the Attic Records, proudly announces
the deluxe vinyl reissues of Morphine's final two studio albums: _Like Swimming_ (1997) and _
The Night_ (2000), marking the very first availability of both titles on wax. Each album has been
lovingly remastered by Pete Weiss at Boston's Jade Cow Music, with lacquers cut by John Golden.
Both titles were pressed at Austin, TX's Gold Rush Vinyl and are each available in two colorways.
The 1xLP _Like Swimming_ (which features such favorites as "Early to Bed, " "French Fries with Pepper,
" and "Eleven O'Clock") can be found on opaque blue or translucent red wax, while the 2xLP,
45-RPM edition of _The Night_ (featuring "Rope on Fire, " "Top Floor, Bottom Buzzer, " and "The Night, ")
is available on orange translucent or purplish hue vinyl. Rounding out each package is a 20-page booklet,
featuring rare and never-before-seen images from the band's archives, including photos by Lana Z. Caplan
and Danny Clinch, artifacts from Morphine's career, and unseen art by the band's late frontman,
Mark Sandman. A major highlight of both packages are the insightful new liner notes by Ryan H.
Walsh-a Boston-based journalist, musician, visual artist, and author of the acclaimed 2018 book _
Astral Weeks: A Secret History of 1968_. Walsh's notes include a handful of new interviews detailing
the band's career, including one of the final interviews with Morphine drummer Billy Conway, who sadly
passed away in 2021 following a battle with cancer. Both albums are housed in deluxe gatefold jackets,
featuring gorgeous art direction and design by Darryl Norsen at D. Norsen Design, also of Boston.
Dedicated to the memories of Sandman and late drummer Billy Conway, both albums were produced with the
full support of Morphine's surviving members (drummer Jerome Deupree and saxophonist Dana Colley),
as well as the band's friends, family members, and collaborators-many of whom shared their memories
with Walsh. _Like Swimming_ and _The Night_ follow Modern Classic Recordings' acclaimed vinyl reissue
of Morphine's sophomore album, _Cure For Pain_, first reissued on LP in 2011. *MORE ABOUT MORPHINE AND
_THE NIGHT_:* Formed in 1989, Morphine quickly gained a name for themselves in Boston's underground scene,
thanks to their unconventional instrumentation, their clever, offbeat lyricism, and their utterly unique
sound. Named for Morpheus, the Greek God of Dreams, the trio (singer, songwriter, and bassist Mark Sandman,
saxophonist Dana Colley, and drummer Jerome Deupree) delivered a mesmerizing blend of tonalities that
were moody, yet seductive: Sandman's intriguing baritone vocals and a two-string slide bass guitar (
initially outfitted with just one string), Colley's baritone sax (he was known to play two horns at
the same time), and the vibrant percussion of original drummer Deupree and then Billy Conway, who frequently
stepped in as drummer. When it came to classifying Morphine's music, critics were at a loss. Was it jazz?
Blues? Alt-rock? Beat poetry? To avoid the inevitab
le pigeonholing, Sandman coined his own genre: Low Rock. Forming a creative partnership with producer
Paul Q. Kolderie (whose credits read like a who's who of alt-rock heroes, including Radiohead, The Lemonheads,
Hole, and the Pixies), the band released their critically-acclaimed debut, _Good_, in 1991. When they
followed with 1993's _Cure for Pain_, their fanbase had grown exponentially, leading to tours across the US,
Europe, Australia, and Japan. 1995's Yes broke the Billboard 200-by then, the trio had scored several hits
on college radio, while videos for "Thursday" (off _Cure for Pain)_ and "Honey White" _(Yes)_ played on MTV.
the deluxe vinyl reissues of Morphine's final two studio albums: _Like Swimming_ (1997) and _
The Night_ (2000), marking the very first availability of both titles on wax. Each album has been
lovingly remastered by Pete Weiss at Boston's Jade Cow Music, with lacquers cut by John Golden.
Both titles were pressed at Austin, TX's Gold Rush Vinyl and are each available in two colorways.
The 1xLP _Like Swimming_ (which features such favorites as "Early to Bed, " "French Fries with Pepper,
" and "Eleven O'Clock") can be found on opaque blue or translucent red wax, while the 2xLP,
45-RPM edition of _The Night_ (featuring "Rope on Fire, " "Top Floor, Bottom Buzzer, " and "The Night, ")
is available on orange translucent or purplish hue vinyl. Rounding out each package is a 20-page booklet,
featuring rare and never-before-seen images from the band's archives, including photos by Lana Z. Caplan
and Danny Clinch, artifacts from Morphine's career, and unseen art by the band's late frontman,
Mark Sandman. A major highlight of both packages are the insightful new liner notes by Ryan H.
Walsh-a Boston-based journalist, musician, visual artist, and author of the acclaimed 2018 book _
Astral Weeks: A Secret History of 1968_. Walsh's notes include a handful of new interviews detailing
the band's career, including one of the final interviews with Morphine drummer Billy Conway, who sadly
passed away in 2021 following a battle with cancer. Both albums are housed in deluxe gatefold jackets,
featuring gorgeous art direction and design by Darryl Norsen at D. Norsen Design, also of Boston.
Dedicated to the memories of Sandman and late drummer Billy Conway, both albums were produced with the
full support of Morphine's surviving members (drummer Jerome Deupree and saxophonist Dana Colley),
as well as the band's friends, family members, and collaborators-many of whom shared their memories
with Walsh. _Like Swimming_ and _The Night_ follow Modern Classic Recordings' acclaimed vinyl reissue
of Morphine's sophomore album, _Cure For Pain_, first reissued on LP in 2011. *MORE ABOUT MORPHINE AND
_THE NIGHT_:* Formed in 1989, Morphine quickly gained a name for themselves in Boston's underground scene,
thanks to their unconventional instrumentation, their clever, offbeat lyricism, and their utterly unique
sound. Named for Morpheus, the Greek God of Dreams, the trio (singer, songwriter, and bassist Mark Sandman,
saxophonist Dana Colley, and drummer Jerome Deupree) delivered a mesmerizing blend of tonalities that
were moody, yet seductive: Sandman's intriguing baritone vocals and a two-string slide bass guitar (
initially outfitted with just one string), Colley's baritone sax (he was known to play two horns at
the same time), and the vibrant percussion of original drummer Deupree and then Billy Conway, who frequently
stepped in as drummer. When it came to classifying Morphine's music, critics were at a loss. Was it jazz?
Blues? Alt-rock? Beat poetry? To avoid the inevitab
le pigeonholing, Sandman coined his own genre: Low Rock. Forming a creative partnership with producer
Paul Q. Kolderie (whose credits read like a who's who of alt-rock heroes, including Radiohead, The Lemonheads,
Hole, and the Pixies), the band released their critically-acclaimed debut, _Good_, in 1991. When they
followed with 1993's _Cure for Pain_, their fanbase had grown exponentially, leading to tours across the US,
Europe, Australia, and Japan. 1995's Yes broke the Billboard 200-by then, the trio had scored several hits
on college radio, while videos for "Thursday" (off _Cure for Pain)_ and "Honey White" _(Yes)_ played on MTV.
555ベストヒット名無しさん
2023/12/13(水) 16:51:52.63ID:AkZIzq0X At the same time, Morphine's music was gaining further exposure through synchs in major films, including
David O. Russel's feature debut, _Spanking the Monkey_ (1994), Beautiful Girls (1996), and the GRAMMY®-nominated
soundtrack for Get Shorty (1995). Amid the '90s signing boom, it was only inevitable that the major labels
would come calling. As the trio began work on their fourth studio album, they received an enticing offer
from the newly-founded Dreamworks Records. But signing with the LA-based label would be both a blessing
and a curse-particularly for Morphine's supremely independent frontman. In his liner notes for _Like Swimming_
, Ryan H. Walsh suggests that after years of uncertainties, the band's newfound sense of security carried over
into their songwriting. " _Like Swimming_ is an album about getting into the flow of things finally going
your way, about comfortably making use of your talents and doing it all with confidence, grace, and style,
" he writes. That air of lightness marked a stylistic departure for the trio and can be heard throughout
the album. In his notes for the band's fifth and final studio album, _The Night_, Walsh writes, "Sandman
was determined to prove [the critics] all wrong. He was also hell-bent on turning in an album... which stayed
true to his artistic vision but also sold plenty of records. " With anxieties rising, the trio entered the
studio with Kolderie and his producing partner, Sean Slade, as well as with assistant engineer Matthew Ellard.
But the mood became increasingly tense-particularly between Sandman and Kolderie. Eventually, as things
deteriorated, Sandman took over as producer, setting up shop in his loft, with Ellard at the controls.
In addition to the changes behind the console, sessions for _The Night_ were markedly different. Firstly,
both Deupree and Conway took part in the recordings, effectively making the trio a quartet. Additionally,
the band was joined by an array of guest artists, including the celebrated keyboardist, John Medeski,
and a string section, who added lush textures throughout the album. The writing and recording process was
also new for Morphine. For previous albums, the trio was largely familiar with the songs that they would be
recording, having performed them ahead of time during shows. Whereas sessions for _The Night_, recalls Deupree,
were "just jamming around... ideas. Mark might have had a sketch of a song, and we would come up with an
arrangement and then play it forever... Then Mark would go back through the tape and find the section that
he liked the best and build on top of that. " Walsh expounds that this is why tracks like "'A Good Woman
Is Hard to Find' fades in and out, as if it had been going on long before what you hear and that it continued
long after the track ended (because it did!). " He continues, "Deupree recounts one session where he began
warming up with a spontaneous drum pattern, soon joined by Billy. Sandman came running from the other side of
the loft, hit record, and began playing bass... That moment became track two on the record, 'So Many Ways.
David O. Russel's feature debut, _Spanking the Monkey_ (1994), Beautiful Girls (1996), and the GRAMMY®-nominated
soundtrack for Get Shorty (1995). Amid the '90s signing boom, it was only inevitable that the major labels
would come calling. As the trio began work on their fourth studio album, they received an enticing offer
from the newly-founded Dreamworks Records. But signing with the LA-based label would be both a blessing
and a curse-particularly for Morphine's supremely independent frontman. In his liner notes for _Like Swimming_
, Ryan H. Walsh suggests that after years of uncertainties, the band's newfound sense of security carried over
into their songwriting. " _Like Swimming_ is an album about getting into the flow of things finally going
your way, about comfortably making use of your talents and doing it all with confidence, grace, and style,
" he writes. That air of lightness marked a stylistic departure for the trio and can be heard throughout
the album. In his notes for the band's fifth and final studio album, _The Night_, Walsh writes, "Sandman
was determined to prove [the critics] all wrong. He was also hell-bent on turning in an album... which stayed
true to his artistic vision but also sold plenty of records. " With anxieties rising, the trio entered the
studio with Kolderie and his producing partner, Sean Slade, as well as with assistant engineer Matthew Ellard.
But the mood became increasingly tense-particularly between Sandman and Kolderie. Eventually, as things
deteriorated, Sandman took over as producer, setting up shop in his loft, with Ellard at the controls.
In addition to the changes behind the console, sessions for _The Night_ were markedly different. Firstly,
both Deupree and Conway took part in the recordings, effectively making the trio a quartet. Additionally,
the band was joined by an array of guest artists, including the celebrated keyboardist, John Medeski,
and a string section, who added lush textures throughout the album. The writing and recording process was
also new for Morphine. For previous albums, the trio was largely familiar with the songs that they would be
recording, having performed them ahead of time during shows. Whereas sessions for _The Night_, recalls Deupree,
were "just jamming around... ideas. Mark might have had a sketch of a song, and we would come up with an
arrangement and then play it forever... Then Mark would go back through the tape and find the section that
he liked the best and build on top of that. " Walsh expounds that this is why tracks like "'A Good Woman
Is Hard to Find' fades in and out, as if it had been going on long before what you hear and that it continued
long after the track ended (because it did!). " He continues, "Deupree recounts one session where he began
warming up with a spontaneous drum pattern, soon joined by Billy. Sandman came running from the other side of
the loft, hit record, and began playing bass... That moment became track two on the record, 'So Many Ways.
556ベストヒット名無しさん
2023/12/13(水) 16:52:16.40ID:AkZIzq0X '" Among the other songs on _The Night_ is the Boston-centric "Top Floor, Bottom Buzzer, " featuring an organ
cameo by Medeski (who also lends his talents to the menacing "I'm Yours, You're Mine"). In the upbeat, soulful
track, Sandman describes an evening out at a friend's house party. The enigmatic, Middle Eastern-inspired
"Rope on Fire, " meanwhile, features a striking performance on the oud by Brahim Fribgane and accompaniment
by cellist Jane Scarpantoni, violist Joseph Kessler, and double bassist Mike Rivard. Scarpantoni, who has
appeared on albums by Lou Reed, Beastie Boys, and R. E. M. , among many others, also joins the band on the
opening title track, which Walsh proclaims to be "among the very best, hauntingly beautiful songs the band
ever produced. " Strings also bolster the closing track, "Take Me with You, " a song that feels particularly
poignant, given that Sandman would be gone by the time that _The Night_ was released. "From start to finish,
this album would be Mark Sandman's full creative vision realized, " writes Walsh. Colley adds, "For the first
time in many years, I saw Mark satisfied again. He was like, 'Okay, we did it. This is the record.
cameo by Medeski (who also lends his talents to the menacing "I'm Yours, You're Mine"). In the upbeat, soulful
track, Sandman describes an evening out at a friend's house party. The enigmatic, Middle Eastern-inspired
"Rope on Fire, " meanwhile, features a striking performance on the oud by Brahim Fribgane and accompaniment
by cellist Jane Scarpantoni, violist Joseph Kessler, and double bassist Mike Rivard. Scarpantoni, who has
appeared on albums by Lou Reed, Beastie Boys, and R. E. M. , among many others, also joins the band on the
opening title track, which Walsh proclaims to be "among the very best, hauntingly beautiful songs the band
ever produced. " Strings also bolster the closing track, "Take Me with You, " a song that feels particularly
poignant, given that Sandman would be gone by the time that _The Night_ was released. "From start to finish,
this album would be Mark Sandman's full creative vision realized, " writes Walsh. Colley adds, "For the first
time in many years, I saw Mark satisfied again. He was like, 'Okay, we did it. This is the record.
557ベストヒット名無しさん
2023/12/15(金) 14:39:19.90ID:Dh3g+eI+ 23 Skidoo are a British band playing a fusion of industrial, post-punk, alternative dance, rock, and world music. The group was named after an early 20th century American slang phrase that appeared in the work of Aleister Crowley, William S. Burroughs, Robert Anton Wilson and filmmaker Julian Biggs. Formed in 1979 by Fritz Catlin, Johnny Turnbull and Sam Mills, and later augmented by Alex Turnbull and Tom Heslop, 23 Skidoo had interests in martial arts, Burundi and Kodo drumming, Fela Kuti, The Last Poets, William S. Burroughs, as well as the emerging confluence of industrial, post-punk and funk, heard in artists such as A Certain Ratio, Throbbing Gristle, Cabaret Voltaire, The Pop Group and This Heat.
Their first 7", "Ethics" was released in 1980, followed by the "Last Words" 12", produced by Stephen Mallinder from Cabaret Voltaire. A Peel Session was recorded on September 16, 1981 that included other associates Richard Heslop and Tim Soar. Their debut album, Seven Songs, was released in 1982 and is said to evoke the claustrophobic humidity of an African forest. An experimental EP Tearing Up The Plans was produced without the Turnbull brothers, who were traveling in Indonesia. Guitarist Sam Mills and vocalist Tom Heslop left the band soon after, and with the arrival of slap-bassist Peter "Sketch" Martin following the break-up of Linx, the lineup remained the same until their disintegration in 2003.
With the Turnbull brothers back from Indonesia where they were exposed to Gamelan, the band recruited Aswad's horn section for the "Coup" 12", which featured samples from Francis Ford Coppola's Apocalypse Now. It has been alleged that The Chemical Brothers stole the bass line for their "Block Rockin' Beats" track. The Culling Is Coming (1983 - noted for featuring the band live at the first WOMAD Festival) and Urban Gamelan (1984) followed, criticized at the time for their shift towards more abstract sounds. After having been evicted from their rehearsal space at Genesis P-Orridge's 'Death Factory' the band shifted their focus towards hip hop and released a few singles and a compilation album Just Like Everybody in 1987.
In 1989 the Turnbull brothers formed the Ronin label, and released material by Deckwrecka, Roots Manuva, and Rodney P amongst others. They signed to Virgin Records in 1991 and were able to build a new studio with their advance. In 2000 they released a self-titled LP, which featured contributions from Pharoah Sanders and Roots Manuva. This was followed by a compilation of singles, The Gospel Comes To New Guinea in 2002, and for the first time on CD, reissues of Seven Songs and Urban Gamelan. In 2003 the Turnbull brothers liquidated the company. In 2008 LTM reissued the whole back catalog of 23 Skidoo.
Their first 7", "Ethics" was released in 1980, followed by the "Last Words" 12", produced by Stephen Mallinder from Cabaret Voltaire. A Peel Session was recorded on September 16, 1981 that included other associates Richard Heslop and Tim Soar. Their debut album, Seven Songs, was released in 1982 and is said to evoke the claustrophobic humidity of an African forest. An experimental EP Tearing Up The Plans was produced without the Turnbull brothers, who were traveling in Indonesia. Guitarist Sam Mills and vocalist Tom Heslop left the band soon after, and with the arrival of slap-bassist Peter "Sketch" Martin following the break-up of Linx, the lineup remained the same until their disintegration in 2003.
With the Turnbull brothers back from Indonesia where they were exposed to Gamelan, the band recruited Aswad's horn section for the "Coup" 12", which featured samples from Francis Ford Coppola's Apocalypse Now. It has been alleged that The Chemical Brothers stole the bass line for their "Block Rockin' Beats" track. The Culling Is Coming (1983 - noted for featuring the band live at the first WOMAD Festival) and Urban Gamelan (1984) followed, criticized at the time for their shift towards more abstract sounds. After having been evicted from their rehearsal space at Genesis P-Orridge's 'Death Factory' the band shifted their focus towards hip hop and released a few singles and a compilation album Just Like Everybody in 1987.
In 1989 the Turnbull brothers formed the Ronin label, and released material by Deckwrecka, Roots Manuva, and Rodney P amongst others. They signed to Virgin Records in 1991 and were able to build a new studio with their advance. In 2000 they released a self-titled LP, which featured contributions from Pharoah Sanders and Roots Manuva. This was followed by a compilation of singles, The Gospel Comes To New Guinea in 2002, and for the first time on CD, reissues of Seven Songs and Urban Gamelan. In 2003 the Turnbull brothers liquidated the company. In 2008 LTM reissued the whole back catalog of 23 Skidoo.
558ベストヒット名無しさん
2023/12/15(金) 14:50:16.08ID:Dh3g+eI+ A Winter Ritual (side B of the original LP) was recorded at Dartington Music College 23 October 1982. A Summer Rite (side A of the original LP) was recorded live at the WOMAD Festival starting at 11.23am on 17 July 1982. David Tibet played Tibetan Trumpet on "Invocation" to "Stifling". Also appearing at the festival were Echo And The Bunnymen, Simple Minds, Peter Gabriel along with the Drummers Of Burundi and Musicians Of The Nile. An Autumn Journey was recorded live at Tielt, Belgium 08/10/82. The cover photo for the album was the first record sleeve by music photographer Andrew Catlin, who worked with 23 Skidoo over several years.
The album was originally released on Les Disques Du Crépuscule (Belgium), Base Records (Italy) and Operation Twilight (UK) in 1983. The original vinyl edition included a locked groove on side A between the songs "Stifling" and "Healing (For The Strong)" with "Command as f**k" inscribed in it (the phrase can be heard during the song "Flashing"). Etched in the run-out groove on side B were the words, "The eyes are not here." An inlay card was available with the original albums that contained the disclaimer "23 Skidoo will not be liable for any injury, loss or damage, direct or consequential, arising out of the use of, or inability to use this product."
The Culling Is Coming was later reissued on L.A.Y.L.A.H. Antirecords (1988) with the front cover artwork removed and the rear cover artwork on the front and Boutique Records (2003) with the original artwork restored and the sides switched (Winter coming before Summer) with an additional previously unreleased track added.
The album was originally released on Les Disques Du Crépuscule (Belgium), Base Records (Italy) and Operation Twilight (UK) in 1983. The original vinyl edition included a locked groove on side A between the songs "Stifling" and "Healing (For The Strong)" with "Command as f**k" inscribed in it (the phrase can be heard during the song "Flashing"). Etched in the run-out groove on side B were the words, "The eyes are not here." An inlay card was available with the original albums that contained the disclaimer "23 Skidoo will not be liable for any injury, loss or damage, direct or consequential, arising out of the use of, or inability to use this product."
The Culling Is Coming was later reissued on L.A.Y.L.A.H. Antirecords (1988) with the front cover artwork removed and the rear cover artwork on the front and Boutique Records (2003) with the original artwork restored and the sides switched (Winter coming before Summer) with an additional previously unreleased track added.
559ベストヒット名無しさん
2023/12/15(金) 14:56:38.31ID:Dh3g+eI+ ide A: "A Summer Rite" - recorded live at WOMAD 17.7.82. Has a lock groove between A4 and A5, with "Command as fuck" inscribed in it.
Side B: recorded at Dartington College of Music, 22/23.10.82, produced 2/3.11.82. Initial recordings by Street Level Recording Mobile. Etched in run-out groove: "The eyes are not here." Total time: 23:00.
From inlay: "23 Skidoo will not be liable for any injury, loss or damage, direct or consequential, arising out of the use of, or inability to use this product."
Many thanks Richard Heslop and Susan Sharrot
Also released in black and white artwork through Les Disques Du Crepuscule (TWI 123), later reissued on L.A.Y.L.A.H. Antirecords with different artwork.
Side B: recorded at Dartington College of Music, 22/23.10.82, produced 2/3.11.82. Initial recordings by Street Level Recording Mobile. Etched in run-out groove: "The eyes are not here." Total time: 23:00.
From inlay: "23 Skidoo will not be liable for any injury, loss or damage, direct or consequential, arising out of the use of, or inability to use this product."
Many thanks Richard Heslop and Susan Sharrot
Also released in black and white artwork through Les Disques Du Crepuscule (TWI 123), later reissued on L.A.Y.L.A.H. Antirecords with different artwork.
560ベストヒット名無しさん
2023/12/15(金) 15:04:59.92ID:Dh3g+eI+ COMMAND AS FUCK
561ベストヒット名無しさん
2023/12/17(日) 20:14:56.21ID:UenX2YY2 Lee Underwood's life has revolved around reading and writing words, and playing and listening to music.
As a lead electric guitarist living in LA, he toured and recorded with singer and songwriter Tim Buckley
for seven years during the sixties and early seventies. As a solo acoustic guitarist, he recorded
California Sigh in 1988 and earned a living playing clubs, hotels, and concerts in Santa Fe for seven years.
In 2003 he published Blue Melody (Backbeat, San Francisco) his critically acclaimed book about the late,
great Tim Buckley, honored by Britain's Uncut music magazine as one of the ten best music books of the year.
He recorded his first solo piano CD, Phantom Light, in 2003. He completed his lengthy novel, Diamondfire:
The Journey, in 2005, and continues to write essays, poetry, and short stories while living with his wife
in a modern cabin in a mountain forest near Yosemite National Park, California. For nearly 20 years in LA,
Underwood wrote about music and musicians for Down Beat (West Coast Editor, 1975-1981), the LA Times, Rolling
Stone, the LA Weekly, Body/Mind/Spirit and numerous other publications. He interviewed dozens of musicians
along the way, including pianist McCoy Tyner, guitarist Joe Pass, synthesists Vangelis, Michael Stearns,
and Steve Roach, Tibetan bell player Henry Wolff, and Hoomi vocalist David Hykes (of the Harmonic Choir).
In 1990, he co-authored flutist Paul Horn's autobiography, Inside Paul Horn (HarperCollins), and received
the Crystal Award for Music Journalism. As a poet, Underwood co-hosted a radio show for two years with Preston Chase, Between the Lines: Poetry to Take You Home. He has given numerous readings in New Mexico and California, and has published poems in Light of Consciousness, ZamBomba, In the Grove, and The Central California Poetry Journal. Whenever possible at his readings, he plays original piano music. Many of the poems included in Warrior,
Lover, Mystic are featured on his web site at leeunderwood.net.
As a lead electric guitarist living in LA, he toured and recorded with singer and songwriter Tim Buckley
for seven years during the sixties and early seventies. As a solo acoustic guitarist, he recorded
California Sigh in 1988 and earned a living playing clubs, hotels, and concerts in Santa Fe for seven years.
In 2003 he published Blue Melody (Backbeat, San Francisco) his critically acclaimed book about the late,
great Tim Buckley, honored by Britain's Uncut music magazine as one of the ten best music books of the year.
He recorded his first solo piano CD, Phantom Light, in 2003. He completed his lengthy novel, Diamondfire:
The Journey, in 2005, and continues to write essays, poetry, and short stories while living with his wife
in a modern cabin in a mountain forest near Yosemite National Park, California. For nearly 20 years in LA,
Underwood wrote about music and musicians for Down Beat (West Coast Editor, 1975-1981), the LA Times, Rolling
Stone, the LA Weekly, Body/Mind/Spirit and numerous other publications. He interviewed dozens of musicians
along the way, including pianist McCoy Tyner, guitarist Joe Pass, synthesists Vangelis, Michael Stearns,
and Steve Roach, Tibetan bell player Henry Wolff, and Hoomi vocalist David Hykes (of the Harmonic Choir).
In 1990, he co-authored flutist Paul Horn's autobiography, Inside Paul Horn (HarperCollins), and received
the Crystal Award for Music Journalism. As a poet, Underwood co-hosted a radio show for two years with Preston Chase, Between the Lines: Poetry to Take You Home. He has given numerous readings in New Mexico and California, and has published poems in Light of Consciousness, ZamBomba, In the Grove, and The Central California Poetry Journal. Whenever possible at his readings, he plays original piano music. Many of the poems included in Warrior,
Lover, Mystic are featured on his web site at leeunderwood.net.
562ベストヒット名無しさん
2023/12/21(木) 16:39:15.62ID:cBAjoi6Y "23 Skidoo were unique among the crowd of early 80s post-punk and industrial innovators. Unlike the cold, harsh music of their peers, the ever-fluctuating line-up remained just as confrontational but incorporated warmer elements of funk, world music and, later, hip-hop. Up-tempo dance numbers would share bed with eerie experimental sound collages, the band being influenced by everything from Gregorian chant to Jeet Kune Do martial arts. And then there's the trifling matter of a little something called Coup, which went on to inform the Chemical Brothers' smash Block Rockin' Beats. This reissue, together with Seven Songs and Urban Gamelan, collects the work of one of the most diverse and influential bands of the era" (Clash, 01/2009)
"The rhythm and sheer energy here have, if anything, intensified over the years" (Record Collector, 01/2009)
"JLE bundles together two earlier compilations in expanded form, and with some crucial additions, among them the superior dub mix of Last Words, and their last great piece, the slinky Ooze from 1986" (The Wire, 01/2009)
"This newest version of the band's original singles collection couples most of the tracks from the original vinyl issue, as well as the separate Just Like Everybody (Part Two) from the late 1990s to create a definitive anthology of material. Most will be happy with one superb disc and one adequate one compared to the mediocrity of many releases this day and age, and LTM once again have put together a package that celebrates the legacy of a band that has somewhat been forgotten in lieu of their contemporaries" (Brainwashed, 11/2008)
"Long overdue singles compilation. Part Two straddles 23 Skidoo's metamorphosis into UK HipHop curators Ronin. Once again, received wisdom about this music - that it is glossier, less extreme than their earlier work - is not entirely true. Meltdown, for instance, harbours far more bad omens than the justly revered Coup" (The Wire, 02/2003)
"Pioneers for the ears" (Metro, 03/2012)
"The rhythm and sheer energy here have, if anything, intensified over the years" (Record Collector, 01/2009)
"JLE bundles together two earlier compilations in expanded form, and with some crucial additions, among them the superior dub mix of Last Words, and their last great piece, the slinky Ooze from 1986" (The Wire, 01/2009)
"This newest version of the band's original singles collection couples most of the tracks from the original vinyl issue, as well as the separate Just Like Everybody (Part Two) from the late 1990s to create a definitive anthology of material. Most will be happy with one superb disc and one adequate one compared to the mediocrity of many releases this day and age, and LTM once again have put together a package that celebrates the legacy of a band that has somewhat been forgotten in lieu of their contemporaries" (Brainwashed, 11/2008)
"Long overdue singles compilation. Part Two straddles 23 Skidoo's metamorphosis into UK HipHop curators Ronin. Once again, received wisdom about this music - that it is glossier, less extreme than their earlier work - is not entirely true. Meltdown, for instance, harbours far more bad omens than the justly revered Coup" (The Wire, 02/2003)
"Pioneers for the ears" (Metro, 03/2012)
563ベストヒット名無しさん
2023/12/22(金) 05:30:35.57ID:ZoCpkK4O Even though I've been an admirer of the Turnbull brothers' work for years and have all their albums etc., I'd never heard of their father William Turnbull. Turns out he is a sculptor and painter of some renown. Its a fact, its real, and that's just the way it is. The DVD, which was directed by Alex Turnbull, is a retrospective of his father's work. Its the sort of thing you normally see on Sky or BBC arts programs. Its narrated by the actress and model impregnation machine that is Jude Law. There are lots of interviews with various weirdy-beardy luminaries from the modern arts establishment, who all have nice things to say about Mr Turnbull and his art. Then there are interviews with the man himself - he certainly led a very interesting life that's for sure. And there is lots of footage of various exhibitions/art works - its interesting if that sort of thing tickles your cul-de-sac.
From the separate perspective of a 23 Skidoo fan, the DVD also offers a fascinating insight into where their music came from. Their songs, particularly on their earlier industrial and gamelan albums, do have a sculptural quality to them. What is remarkable, and revealing, is just how well the soundtrack of their songs fits with the visuals of their father's work. The songs and the sculptures compliment each other perfectly. Their mother was a very talented artist too, possibly even better than their father. Who knows, maybe they'll do a DVD about her work too.
The CD is okay. Most of the songs are from their later, less innovative, less interesting 'funky' period. If you have all the previous albums then you'll have all the tracks already. That said, if you're a fan of 23 Skidoo then you will definitely want this in your collection, for the DVD alone.
From the separate perspective of a 23 Skidoo fan, the DVD also offers a fascinating insight into where their music came from. Their songs, particularly on their earlier industrial and gamelan albums, do have a sculptural quality to them. What is remarkable, and revealing, is just how well the soundtrack of their songs fits with the visuals of their father's work. The songs and the sculptures compliment each other perfectly. Their mother was a very talented artist too, possibly even better than their father. Who knows, maybe they'll do a DVD about her work too.
The CD is okay. Most of the songs are from their later, less innovative, less interesting 'funky' period. If you have all the previous albums then you'll have all the tracks already. That said, if you're a fan of 23 Skidoo then you will definitely want this in your collection, for the DVD alone.
564ベストヒット名無しさん
2024/02/28(水) 03:19:32.97ID:ns0Gmfv3 https://i.imgur.com/6LXBiAt.jpg
https://i.imgur.com/esoVk1w.jpg
https://i.imgur.com/zcenaN5.jpg
https://i.imgur.com/UWqhceg.jpg
https://i.imgur.com/zAHFZ9f.jpg
https://i.imgur.com/XQpeWbQ.jpg
https://i.imgur.com/OZUGD8T.jpg
https://i.imgur.com/E4fv0iW.jpg
https://i.imgur.com/W7QRebM.jpg
https://i.imgur.com/ukd5SKd.jpg
https://i.imgur.com/esoVk1w.jpg
https://i.imgur.com/zcenaN5.jpg
https://i.imgur.com/UWqhceg.jpg
https://i.imgur.com/zAHFZ9f.jpg
https://i.imgur.com/XQpeWbQ.jpg
https://i.imgur.com/OZUGD8T.jpg
https://i.imgur.com/E4fv0iW.jpg
https://i.imgur.com/W7QRebM.jpg
https://i.imgur.com/ukd5SKd.jpg
565ベストヒット名無しさん
2024/03/20(水) 04:19:01.58ID:XiLcJEvC CERTAIN RATIO
DO THE DU
DO THE DU
566ベストヒット名無しさん
2024/03/20(水) 04:19:45.09ID:XiLcJEvC DURUTTI COLUMN
THE MISSING BOY
THE MISSING BOY
567ベストヒット名無しさん
2024/03/20(水) 04:35:39.17ID:XiLcJEvC ANIKA
YANG YANG
YANG YANG
568ベストヒット名無しさん
2024/03/20(水) 04:37:56.36ID:XiLcJEvC THESE NEW PURITANS
SWORDS OF TRUTH
SWORDS OF TRUTH
569ベストヒット名無しさん
2024/03/20(水) 15:21:45.56ID:gqm80PXS ZEN BU
OO MOJI
OO MOJI
570ベストヒット名無しさん
2024/03/20(水) 15:22:26.85ID:gqm80PXS OH MY ID IS 80
571ベストヒット名無しさん
2024/03/27(水) 20:45:12.91ID:PV+WHhgn572ベストヒット名無しさん
2024/06/21(金) 09:35:17.46ID:FMixo8dY age
573ベストヒット名無しさん
2024/07/15(月) 23:08:27.20ID:C4K8nAJ5 ニュー・ウェイヴ (音楽)
https://ja.wikipedia.org/wiki/%E3%83%8B%E3%83%A5%E3%83%BC%E3%83%BB%E3%82%A6%E3%82%A7%E3%82%A4%E3%83%B4_(%E9%9F%B3%E6%A5%BD)
https://ja.wikipedia.org/wiki/%E3%83%8B%E3%83%A5%E3%83%BC%E3%83%BB%E3%82%A6%E3%82%A7%E3%82%A4%E3%83%B4_(%E9%9F%B3%E6%A5%BD)
574ベストヒット名無しさん
2024/07/18(木) 04:28:50.46ID:nvdhZNxu bage
575ベストヒット名無しさん
2024/07/19(金) 03:03:33.90ID:NchAO8FP576 警備員[Lv.13][新]
2024/07/24(水) 00:59:33.83ID:J4AM17bi 残念なニュース
再発専門レーベルのRubellan Remastersがメジャーからのライセンス取得の問題をクリア出来なかったため閉鎖されるとのこと
再発専門レーベルのRubellan Remastersがメジャーからのライセンス取得の問題をクリア出来なかったため閉鎖されるとのこと
577ベストヒット名無しさん
2024/07/26(金) 00:37:36.82ID:8rBmiB/Q ヴァイナル・JPスレとしてスレを立て直した方が良さそうだな
578ベストヒット名無しさん
2024/08/09(金) 07:44:53.08ID:KNJoKqoZ とある所からDLした大昔の雑誌にダニエル・ダックスと奥平イラの対談があって
そこに二人の写真があるんだけど奥平イラの体格よすぎてわろた
室伏選手かよ
というようなことこのスレくらいしかかけないなあ
そこに二人の写真があるんだけど奥平イラの体格よすぎてわろた
室伏選手かよ
というようなことこのスレくらいしかかけないなあ
579ベストヒット名無しさん
2024/11/12(火) 12:03:35.56ID:AijLbmu7 アナログ再発て、ほとんどCDマスターをただアナログしただけ？
再発物でCDと同じとこにノイズ乗ってるし、当時の中古盤discogsで買ってみたらそこにノイズのないやつが聴けたけど、ちゃんとした再発とかしてたんじゃ商売ならんのかな
再発物でCDと同じとこにノイズ乗ってるし、当時の中古盤discogsで買ってみたらそこにノイズのないやつが聴けたけど、ちゃんとした再発とかしてたんじゃ商売ならんのかな
580ベストヒット名無しさん
2025/01/01(水) 13:50:16.68ID:lr8hMgBu 元のマスターテープが経年劣化でノイズが入ることがある
そうすると発売直後のレコードの方がノイズが入ってないってこともある
そのノイズ入りマスターテープからCD化やレコード化したのかもね
そうすると発売直後のレコードの方がノイズが入ってないってこともある
そのノイズ入りマスターテープからCD化やレコード化したのかもね
581ベストヒット名無しさん
2025/02/21(金) 11:47:44.30ID:n6b5YHk9 昔のライノとかだとビル・イングロットあたりがリマスタリングの時点でノイズ除去とかもしてくれていたようだけど、
ニューウェーブ系の再発が多いチェリーレッドはただ出すだけっぽいな。いろいろ再発してくれるのは有難いんだけど。
ニューウェーブ系の再発が多いチェリーレッドはただ出すだけっぽいな。いろいろ再発してくれるのは有難いんだけど。
582ベストヒット名無しさん
2025/03/31(月) 08:22:52.86ID:s+/5pdxZ アトミックブロンド見たけど
ビル・スカルスガルドはNW顔やな
ビル・スカルスガルドはNW顔やな
レスを投稿する
ニュース
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