※悔しがり失調粘着連投発作統失荒らしが数匹居ます (こいつらが湧く前は良いスレでしたね) ※自己肯定に難があるようで意見を否定されることに非常に敏感です (反応が早く発作を起こして連投を始めます) ※こいつらが暴れるからしばらく休止という意見は荒らしの思う壺なので無視します ※Music is the Best
ザッパユニバースの基本メンバーにホワイトとマーズが加わった感じかな。 0235ベストヒット名無しさん2023/08/25(金) 21:18:01.26ID:EzKGFNzz 祝 興奮の一夜50 0236ベストヒット名無しさん2023/08/26(土) 16:07:46.15ID:JlOcAesV これか https://youtu.be/M27xY5b-3K8?si=CfIV8HPO7-AAK-lt0237ベストヒット名無しさん2023/09/01(金) 10:46:41.75ID:LAJuaACP Well, what can one say about The Residents? They have been wearing those trademark eyeball heads, top hats and tuxedos for nigh on 35 years now. The have been cheekily (some would say self-indulgently) subverting the whole notion of pop, rock, electronic, and avant garde/experimental music for the best part of 40 years. They have become THE most enigmatic bunch in the history of popular (or unpopular) music. They have released approximately 3 million records and videos and other artefacts since 1971 and yet nobody knows if the original members of the band are still alive or not.... They truly are the most baffling, eccentric and inscrutable collective (I couldn't possibly consider them as a 'band') on earth.
Third Reich 'n' Roll - their third album [proper] released in 1976 - is an absolutely hilarious deconstruction of the pop song whereby our anti-heroes simply defecate from a great height onto the collective heads of the then rock'n'pop aristocracy. All manner of unwitting victims fall prey to the characteristic Residents [mal]treatment: detuned melodies, unhinged arrangements, goofy plunking piano, guitars that sound like angry wasps, nightmarish orchestral interludes, rumbling kettle drums, varispeeded nasal vocals .... all blended, shaken and stirred into an ungodly sonic stew.
The album is split into just two suites: side a (part one) is entitled Swastikas On Parade (which explains the controversial artwork on the cover), whilst side b (part two) rejoices under the delightful title Hitler Was A Vegetarian. There are NO other track listings, so this means the listener is forced to pick out the individual songs being lampooned as they work their way through 36 minutes of sheer aural mayhem. Disorientating it certainly is - and for the unititiated ear it is nothing more than an unlistenable, infuriating mess. But this is the album's strength. One reviewer once called this 'a work of quite astounding awfulness and atonality', whilst another lauded it as 'pure unbridled genius'. The truth actually lies somewhere in between.
Persevere with this record though, and you will then be able to pick out the following tunes amongst many more buried in the mix: Let's Twist Again (which kicks off the album), It's My Party, Yummy Yummy Yummy, Gloria, Wipe Out, Light My Fire, 96 Tears, Good Lovin', Heroes and Villains, and ending with possibly the most hilariously skewed take on Hey Jude's fade-out/coda you could ever clap your ears on.... the guitars so out of tune they could curdle milk!! In fact they cleverly combine this with the Rolling Stones' Sympathy For The Devil (are the Residents the first ever band in the known universe to pioneer the 'mash up' then??) so seamlessly that you wouldn't realise this. This if anything shows that Paul McCartney ripped the chords to Hey Jude's coda off Jagger and Richards - who came up with the tune first !!